My thoughts about Geography Now

As I am an Indonesian, it is not a surprise the first video I watch from this geography education channel is the one that encapsulates my home country; it was suggested to me probably because I searched for videos of foreigners trying Indonesian food. But, thanks to that one video, I ended up on a Geo Now binge and I almost watched every video on the channel in less than 48 hours.

As you can immediately tell, I am deeply impressed by the channel!

Okay, admittedly, there is one potential flaw: I have mixed feelings about how it depicts conflicts. Paul and his friends will take the roles of individual countries or sectarian groups and they will start ‘bickering’… which look very childish and comical.

Of course, it can be problematic as it seems to belittle the actual resulting deaths of said conflicts. But, at the same time, the petulant depiction is also fitting considering how clashes often occur simply because of ridiculous reasons, like our inability to deal with inconsenquential human distinction. I know I am reading too much into this as I am sure Paul also cares about the entertainment values. But then, I believe authorial intentionalism can be dismissed when a work has unintended effects on the audience.

Some viewers are starting to feel the channel has become more cringeworthy to watch due to its jokes. I am not on board with this criticism because I think the older videos are even more so with their poorly-delivered jokes. Nowadays, not only the performances have greatly improved, the humour has also become more self-aware; it depicts Paul as a shamelessly ‘punny’ person and, to a lesser extent, a big fat know-it-all.

I am also not on board with the criticism regarding the involvement of his friends; they believe having another on-screen personalities really ruin the channel. For me, their presence increases the dynamism. Besides, literally since the first episode, Paul has been receiving help in the post-production process! While the channel is indeed his brainchild, we must also acknowledge its collaborative nature. It is literally called Geography Now, NOT The Paul Barbato Show!

Mispronunciation is also a recurring theme/joke in the channel; in some cases, he never bothers to even try pronouncing foreign words and opts to speak gibberish or call certain individuals as ‘this guy’ or ‘this *insert occupation here*’. While some may perceive it as disrespectful, I perceive it as refreshing honesty. He acknowledges his linguistic limitation and, whether we want to admit it or not, most of us are too lazy to pronounce foreign phonology accurately! As someone who calls himself The Stammering Dunce, I cannot fault Paul for this.

Also, when he knows how to pronounce certain foreign phonology, especially one from the languages he has limited proficiency in, he will try his best; some people still deliberately mispronounce foreign words and names despite knowing how to do so properly… probably because they are hypocritical pricks who can’t care less about embracing other cultures and yet they get mad when foreigners mispronounce their names and languages repeatedly.

Unsurprisingly, just like any media outlets in existence, the channel cannot escape the criticism regarding informational inaccuracy and omission. But, even then, Paul does not seem to receive a barrage of hate in the comment sections… and for good reasons.

When he omits certain information and/or gives the wrong one, it is because of honest mistakes. He tries his best to produce relatively short yet very concise videos to the point where he literally forgets to include common knowledge; even his China episode fails to mention the Great Wall! There are no indications of him having any political agendas. He fulfills his promise to be as objective as possible; his Rohingya crisis video is a great evidence of this. Oh, and he uses Flag/fan Friday and Filler Week videos as corrective and supplementary components. He is cognizant of his own oversights.

And that’s not his only ‘secret’ for success.

Another important factor is his love of travelling. You know, the real act of travelling! Instead of being content about ‘experiencing’ the foreign lands by falling for the plastic charms of tourist traps, he prefers to taste how the locals live! That, I assume, encourages him to drop his own preconceived notions when researching for new episodes.

He also has a diversity of sources. Besides the scholastic ones, he also takes input from his viewers whose home countries will be covered soon… and I really love this approach!

Whether we like it or not, even with academic rigorousness, those scholastic references can still be prone to informational deficiency and cultural propensity. While the words of his viewers are purely anecdotal, they can provide vantage points that are raw and unobstructed by any methodical filtration. Of course, thankfully, he also strictly distinguishes which info is academic and which isn’t; when he cites anecdotes, he will explicitly present them as such! I believe this route leads him to destination success!

The materials are relatively meticulous and compact while maintaining some level of relatability to the average people who lack any ‘scholarly’ disposition. It is scholastic enough that some teachers actually play his videos in their classes, scholastic enough to convey the defects of the enquired countries… while still ‘populist’ enough to please some flag-wavers and over-zealous foreign cultures enthusiasts.

Of course, as an Indonesian, I have to talk about the Indonesia episodes.

One criticism I have is how he described Indonesia as a marriage of the Middle East and Southeast Asia that results in many babies. While it is not inaccurate, it is far from complete.

Islam -the biggest religion in the country- is indeed from the Middle East, some regional cultures do have Arab influences and our national language does have Arab loanwords. But, some of those regional cultures also have South Asian, Chinese, Dutch and Portuguese influences, our national language also has Sanskrit, Chinese, Dutch and Portuguese loanwords, many government institutions use Sanskrit mottos and the Indonesia is a former Dutch, Portuguese and, to a lesser extent, British colony. But, because of our mostly Austronesian roots, we are still more similar to predominantly-Christian Filipinos than we are to the predominantly-Muslim Middle Easterners.

Paul mentions how most Indonesian mosques do not have the typical domes. In reality, most of them actually do. The ones who don’t were mostly constructed before the 21st century, designed with traditionally-influenced architectural styles. Back then, most Indonesian Muslims were less likely to equate Islamic identity with the Middle-Eastern one.

Paul also does mispronounce Indonesian pronounciation. But then, as I said before, learning foreign languages is difficult… and the majority of Indonesians, even ones who are not raised with ‘regional’ cultures, have a poor comprehension of our national language. So, him pronouncing ‘C’ as ‘K’ instead of ‘CH’ should not be a biggie.

And those are the only flaws I can think of in his Indonesia videos. I believe he does a great job in unveiling the intricate foundations of my motherland.

He showcases how the country is so diverse that the biggest and second biggest ethnic groups comprise about forty percent and fifteen percent of the country’s population -respectively-, that anti-Chinese sentiment exists here (albeit he said it briefly), how Islam is practiced differently in Indonesia from the one in the Arab world -especially regarding the rituals-, how Indonesian Papuans are extremely distinct in many ways from the rest of their fellow countrymen, how the government only recognises six religions and how our national symbol is of Hindu origin despite being a predominantly-Muslim nation! Oh, and I think his description of Aceh as the black sheep is very fitting!

When it comes to international relations, he showcases how our relationship with Saudi Arabia is very horrible, how we and Malaysia are frenemies (due to our cultural similarities and differences) and how we have a surprisingly good relationship with Japan (despite the history)!

And those short descriptions alone easily defy how most of us perceive Indonesia!

On one hand, it is certainly not a peaceful and tolerant haven many people love to advertise. Indonesians are still very racist, especially against every person of Chinese descent. We are still religiously schismatic to the point we disenfranchise adherents of indigenous beliefs by not officially recognising them as legitimate religious groups!

But, on the other hand, Indonesia is certainly not a carbon copy of Saudi Arabia and many Indonesians detest the idea of becoming Saudis! Aceh, one of the thirty-four Indonesian provinces, certainly does not represent the entire country! The citizens, especially the Muslim ones, are extremely diverse and any generalisations about them (which I admittedly still make from time to time) can be easily and deservedly labeled as shallow or even outright dehumanising!*

(*Yes, I know one cannot generalise even the most homogenous collective in existence. But, I do believe generalising a very diverse society is considerably more intellectually dishonest than generalising one that is significantly less so.)

I should also commend him for his dissections of the bicolour flag and the coat of arms. While the Hotel Yamato story has become a legend here, I did not know red and white represent the duality of nature in Austronesian mythology, ancient Indonesian Hindus also used red-white flags and teaks leaves and mangosteen rind were used as red textile dye!

I also didn’t know the number of feathers in our version of Garuda represents the date of Indonesia’s independence day! He is one of the handful of foreigners that have educated me things I genuinely didn’t know about my own homeland!

Overall, I believe Paul Barbato is a successful educational Youtuber. He has a firm grasp on the (often-needlessly) complicated domestic and international borders, he has a firm grasp on the (often-preventable) sectarian conflicts, he can be more knowledgeable about the enquired countries than their citizens do…

And, most importantly, he unveils how each of the world’s sovereignty constantly defies our racial, cultural, political and religious preconceived notions of them.

In spite of his rapid-fire and comedic performances, he still manages to demonstrate how humanity is not what most of us think it is… and judging from his videos’ comment sections, there are others who agree with me.

My suggestion for him is to expand his scholastic references; maybe add peer-reviewed academic papers into the mix! Knowing the nature of academic journal, it can be more burdensome for the production. But, I am also confident it can also bring an even greater depth to the content!

Postscript:

There was a criticism of his Eritrea episode in which he supposedly ignores the country’s human rights violation. The thing is… he never does!

In his summary of individual countries’ history, he often mentions their authoritarian leaders and historical violent events. Again, as I said before, the unintentional omission of information regularly happens as he tries to create relatively-short yet concise videos!

Maybe the critics hated how Paul did not spend the entire episode talking about the country’s human rights violation. Why should he? His channel is called Geography Now, NOT Human Rights Now!! His job is literally to teach geography, to summarise individual territories of the world, not to be a white saviour!

Besides, he will not talk about human rights violations in great details unless he comprehends the intricacy of each individual case; again, I have to mention his Rohingya crisis video! He is not one of those pseudo-activists who think human rights can be discussed simplistically!

I was planning to put this section much earlier. But, I called it off because I take this a bit too personally. The first time I watched the video, there was literally only one comment that criticised Paul for supposedly ignoring Eritrea’s dark reality (albeit with many likes). When I watched it again, the comment was gone. And still, that comment bothers me to this day!

I don’t know why. But, I am annoyed every time someone says the only appropriate way to chronicle certain countries is to babble about their human rights issues! Maybe it has something to do with their insistence to demonise the places they hate and yet know little or nothing about!

I wonder if Paul is annoyed by this as well. In the first Iraq episode, his friend Keith portrays a character who is agitated that Paul does not go straight to babbling about terrorism. Even though I cannot be sure about his motivation to incorporate the character, I am glad he did. It feels like a not-so-subtle middle finger to those white saviours.

Once again, there are times when one can dismiss authorial intentionalism.

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Exploring cultures, Anthony Bourdain style

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I will only discuss three of his TV shows and none of the books as I haven’t read a single one. So, it takes a lot of cockiness to write about a person without full immersion in his works. Anyway…

I have been loving him since his A Cook’s Tour years. When I was younger, I watched him simply because of the food. A show was good enough if it involved lots of food, I believed.

Then, many years later, after watching his subsequent shows, this one seems juvenile and sterile in comparison. For me, it feels like it is less about the cultural experience and more about Tony being a cynical and cocky douche. It certainly did not and does not make me feel intrigued by other cultures. But, younger me said, ‘hey, food!’.

No Reservations is not an immediate stylistic departure. The earlier episodes are not that different from ones from A Cook’s Tour. But, they are indeed less rushed, more mature and more compelling. As the show progresses, it has become more profound.

He becomes more keen to point out the darker side of reality. Politics, discrimination, natural disasters, you name it. The Hokkaido episode, which mentions discrimination of the Ainus, is the first time I pay attention to the show’s depth. Before No Reservations, I had never encountered a single travelling show like this (that I know of)!

Not only it increases its thematic profundity, it also amplifies the visual artistry which, again, is a novelty to a show of such genre (again, that I know of). Watching the later seasons feels like watching a beautifully crafted yet underappreciated TV show. It also helps some episodes are tributes to certain films which Tony and/or the crew was/were (a) big fan(s) of. And then, came The Layover

…Which I skipped over and, to this day, I haven’t watched a single episode. I wasn’t aware of its existence until his fourth and unfortunately last show was announced. To this day, I am still uninterested about the premise. But, I will probably change my mind. Probably.

Parts Unknown exceeded my expectation. It seems unsatisfied with its predecessor’s artistry and believes radical enhancement is needed for itself. And radical it is.

In No Reservations, the audio and visuals are utilised to emphasise and accompany what is being portrayed on the screen. Some episodes of Parts Unknown were also crafted in a similar manner. Some.

In other episodes, they are utilised to encourage the audience to start seeing the world through a philosophical lens instead of just focusing on its physicality; combined with the lyrical narration, the show’s audiovisual ethereality really reminds me of magical realism, something that I never expected from unscripted motion picture works!

I know, I know. I sound like a pretentious prick who reads too much into things. But, I am a sucker for magical realism and any similar styles of arts. Considering how metaphysical some episodes feel, you cannot blame me for having such feeling. They do feel magical.

Oh, yeah. The cultures…

I used to depend on media personalities for cultural knowledge. I still do, but not entirely. Nowadays, I try to accept the possibility of them unintentionally spewing stereotypes and misinformation. Even Anthony Bourdain could not escape such criticisms.

I seriously cannot blame him and his peers for making that mistake. They cannot fully escape the cultural outlooks they grew up with and they are dependent on their local contacts who probably possess very narrow frames of mind regarding their homelands. This is what I still can tolerate to some extent.

What I cannot tolerate is phoniness. I hate it when TV hosts pretend to be curious about the ‘exotic’. Sometimes, you can see their oily faces sticking to the masks, revealing their true appearances. As flawed as he could be, Anthony Bourdain was still very honest with what he liked and disliked. Oh, and the way he approached cultural exploration also made him stand out from his contemporaries.

Besides local cultures experts, who may or may not have academic backgrounds, he also had chefs, sailors, farmers and hunters as guests. Of course, having guests of relevant expertise is not unusual. Andrew Zimmern also has people of similar occupations as guests. Rick Steves often has fellow travel guides as guests. But, Tony wanted more than just interacting with ‘food’ and ‘culture’ people.

He also had fellow media personalities, writers (especially crime fiction ones), musicians (especially Rock ones), politicians and members of (relatively) fringe groups in his shows. I don’t think I need to explain why it made sense to invite media personalities, considering he was one.

I am not surprised about him inviting writers as he was a one who also had published both non-fiction and crime fiction books; he would not have a hard time bonding with them and scooping their perspectives on the local cultures.

I am also not surprised he invited politicians. Like it or not, politics can affect every single aspect of our lives, whether directly or not, and that includes foods. Of course, this is purely my thought. Tony invited politicians probably because he was interested in politics in general (he really, really hated Henry Kissinger, by the way).

I am not sure about the musicians, though. While he did have high appreciation of music, particularly Rock, I am still unsure of why he invited them. He probably wanted to know more about the local cultures. Or he probably just wanted to hang out with them. Even though I can’t say for sure, the former is something that I would do if I were him.

I am also not sure about the culturally fringe individuals (again, relatively fringe), like the residents of Christiania in Copenhagen and Molokai in Hawaii state. Maybe, as a former dweller of Provincetown, he felt he would not have much trouble bonding with them. Maybe he believed understanding a mainstream society would feel inadequate and too sugary without the alternative perspectives, a sentiment that I happen to possess.

Whatever the reasons, whether he did it on purpose or not, I have to give Anthony Bourdain credit for giving me new perspectives on how to explore cultures, whether they are ‘foreign’ or my own. Our understanding of a society will be more well-rounded once we utilise different and distinct paradigms.

Of course, as an Indonesian, I have to talk about his Indonesian episodes.

I hate the one from No Reservations. It uses the same ‘Indonesia-is-all-about-Jakarta-and-Bali’ cliche. It does cover West Java, a territory that many foreigners haven’t heard and don’t care about. But, it has to compete for attention with the more internationally-known ones. That’s like making a US episode in which lesser known places like Savannah or Austin have to compete for attention with New York City and Los Angeles.

The only thing I love about the episode is the scene where cameraman Todd Liebler accidentally crashed the piling plates of foods in a Padang restaurant (there is a reason why those areas are off-limit to customers, for God’s sake). The farce is the only reason why I still keep re-watching it.

Even though I think Andrew Zimmern is an inferior host in comparison with his sometimes cringeworthy behaviours and conventional style of communication, his short-lived and little-known show Bizarre World does a better job in portraying Indonesia.

It dedicates two episodes on my country, each focusing on one specific region: Bali and Sulawesi. While No Reservations gives the impression that Jakarta, West Java and Bali are all the country about, Bizarre World sternly communicates the audience how everything depicted on the screen, including the elaborate Torajan funeral ceremony (which I always want to attend once in my life), is confined to certain localities and does not fully represent the entire country! For me, that’s how one should do a foreign travelling piece!

The Indonesian episode of Parts Unknown exceeds my expectation… in spite of the Jakarta-Bali cliche!

The beginning of the episode features having a sumptuous Minangkabau lunch with Desi Anwar, a CNN Indonesia host, and a Dalang (wayang puppeteer). Desi asserted that tasting every Indonesian dish will take us forty years to achieve!

Obviously, such claim is conjectural. But, I cannot blame every individual who knows Indonesia really well for believing that. The country is indeed really diverse and it is often something I bring up when discussing multiculturalism and Indonesian stereotypes with foreigners. The acknowledgement of its diversity really kicks the No Reservations episode in the nut!

Desi also claimed that Indonesians enjoy dishes from other ethnicities, even ones they have grudges against. I am so fucking happy she said that! For years, I have been noticing how we love eating foods of the people we constantly demonise! In the US, it is mostly the Mexicans, Mexican-Americans and African-Americans. In Indonesia, it is mostly the Chinese-Indonesians.

Not only it exposes more about the insufferableness of humanity, it also exposes human prejudice’s inability to dictate what our taste buds should like or dislike. It sheds light on the deep-rooted universality of food! It probably has something to do with food being one of our basic human needs and our survival instinct compels us to have a taste palate as wide-ranging as possible. But, that’s just my conjecture as someone who never attended a single proper science in his lifetime. Anyway, back to the show.

I am also happy the episode features a historian with whom Anthony briefly talks the 1960’s anti-communist massacre. It is treated by nationalistic Indonesians just like how the crusades being treated by Christian fundamentalists: glorifyingly!

I am not a communist and the idea of living under the rule of communism is as terrifying as living under fascism. But, even if the Indonesian communist party (or PKI as popularly known) was indeed involved in the September 30 movement (or G30S as popularly known), I still cannot find any moral justification for the mass killings!

For one, how do you know every single human casualty involves actual communists? How do you know they were not targeted simply for their Chinese ancestry, their religious beliefs or lack thereof? How do you know the murderers were not purely motivated by bloodlust or the desire to play fucking ‘superheroes’?

Even if every single victim was indeed a commie, how do you know the entire PKI was involved in G30S? In 1965, the party had over three million members. :iterally millions of them! You cannot expect reasonable minds to believe every single one was directly responsible for the violence! But, most importantly, what makes you think you are the ones with higher moral grounds? What makes you believe you, the apologists of the murders, are the good guys here?

Why do I act like I can reason with those people? Years after the fall of the Order Baru regime, Indonesians are still willingly getting deep-throated by its propaganda and we love wearing intellectual dishonesty as a fucking badge of honour! Okay, I need to stop with the historical revisionism tangent.

This is the second reason why I am so happy with the episode. Even though the historical ‘event’ was only being alluded to, the sense of inhumanity is strongly conveyed. I hope this has an effect on the viewers.

A handful of foreigners among them will probably be intrigued by and start researching about it; they will probably realise how supportive western governments and how apathetic most of the eastern bloc ones about the massacre. The Indonesian viewers, the ones with bloodlust at least, will realise how their beloved foreign idol viewed the historical ‘event’ as an example of humanity at one of its worst , NOT one of its best.

I never expected that I would discuss such topic in an article about a TV chef. The fact that I can do so emphasises what I said earlier about his political consciousness. But still, I haven’t got to the best part of the episode: the conversations about death.

Since I was young, I have been told by some fellow Indonesians that ‘death is just the beginning’, which is also how the narrator (who speaks with a ‘sophisticated’ Indonesian accent) puts it. I really doubt it is an exclusively Indonesian belief. But, I like the off-centre approach to cultural exploration.

Instead of focusing on earthly entities, this episode prefer to zoom in on a metaphysical realm which existence is not believed by every earthly being (this goes back to what I said earlier). The theme is fitting as there are scenes depicting Ngaben, the elaborate Balinese funeral ceremony (which I also have the desire to attend). Typically, documentaries include the thematic conversation to compliment the rituals being depicted. But, in this episode, the roles are reversed!

The death conversations take around half of the episode’s duration and the Ngaben scenes appear later on. The thematics is the main dish and its tangible representation is the optional condiment. This role reversal strongly argues how cultural heritage goes beyond its tangibility. We strive to protect it for the sake of its souls, NOT merely for its physicality.

In the light of Anthony’s death, which happened before the post-production process was finalised, this episode may feel eerie for some people. For others like me, it feels deeply poignant. This makes me wonder if he had been thinking about his own death for some times and the conversations was meant to help him contemplating about it.

Okay, I know I am crossing the boundary here. But, I have to be frank about it: that’s what I am feeling and I am confident some people are feeling the same! The fact that the last season of Parts Unknown is considered ‘unfinished’ intensifies the poignancy.

After his death, the Indonesian episode is the only ‘unfinished’ one that I have currently watched. As an Indonesian who has been interacting with foreigners regularly for years, I felt obligated to watch and critique every piece about Indonesia that foreigners assemble. Emotionally, I don’t have the gut to watch the other episodes.

The Indonesian episode is already hard to watch. Never mind the emotionally-fitting theme. The absence of his witty and poetic voice-over asserts there will be no more Anthony Bourdain to tell us stories.

Watching the other ‘unfinished’ pieces means I will have to listen to the harrowing truth over and over again.

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