The only episode of Criminal Minds that I love

Overall, I despise the show like a plague. Even without the ungodly demonisation of mental illnesses sufferers, it would still make a lame horror or thriller TV show.

I mean, come on! Do you expect me to watch people murdered in unusually grotesque manners and get deeply unnerved? Why should I be fearful of horrible things that are mostly hypothetical and not experienced by most people? Why should I be fearful of things that are not close to home?

Most of the time, the show tries too hard to be terrifying. Most of the time.

Season nine’s 24th episode is an exception. Titled Demons, it features corrupt cops instead of mentally unstable characters as the bad guys.

As the main characters need to travel all over the country, they often get assistance from the local police forces, using their headquarters as makeshift offices. In this episode, they unwittingly enter the lion’s den, thinking it was a safe space.

Once they realise how corrupt the entire police force is, the ominousness starts creeping in. It genuinely feels like they can ambushed at any time… and anywhere.

The fact that the main characters are FBI agents make the situation even more tense. If federal agents are fearful of the local cops despite having self-defence training and more legal power, it would be idiotic for ordinary citizens -especially noobs like me- to not feel fear.

It took a while to realise this: a police force’s headquarter is not just a mere building, it encompasses an entire specific region. Basically, the entire city is the lion’s den! Unless they leave town immediately, they are not safe everywhere they go!

Obviously, this is not the best thriller work out there. In fact, I have watched TV episodes and films far more terrifying than this. But, I make a big deal out of this episode because it is what the entire show could have been.

It could have lived up to its title by focusing on the psychological aspects of crime solving! It could have been a compelling TV series for the masses!

Instead, it chooses to mindlessly give what the masses want: surface-level visual horror and vindication of their dehumanising hatred against mental illness sufferers.

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Casualties of feel-goodism 2

sinopsis-green-book-film-terbaik-oscars-51f72e.jpg

I am not going to talk about the 2019 Oscars-winning supposedly anti-racism film Green Book specifically. While I have heard about the white warrior trope accusations, I haven’t watched the film. Therefore, I cannot talk about it.

But, I can talk about fans of the film, film ethics in general… and a bit about one of its screenwriters.

The fans believe the film deserves its victory because it is heartwarming. That sentiment alone easily reveals two problems.

First of all, how the hell is feel-goodism a sign of merit? I thought we judge films based on how effective their storytellings are, NOT based on how good they are in making us feel good about ourselves and the world we live in.

Second, the film is supposedly about racism and the title itself is based on a series of books that helped black Americans avoiding racist establishments during road trips.

Describing ‘bigotry’ as atrocious is an understatement. Whether you experience or witness it, its existence reminds you about how monstrous the world we live in. If you become aware of your own bigotry (and assuming you thrive to be a decent person), you would be horrified about how much of a monster you were.

Basically, bigotry is NOT heartwarming. When a film about bigotry makes you all warm and fuzzy in the inside, there is something wrong with either how you interpret the film or how the film depicts bigotry.

Either way,  for some reasons, you haven’t fully grasped what bigotry actually is. Maybe the protective bubbles haven’t bursted yet.

I am not saying a film about the harshness of reality should not make you feeling warm and fuzzy; I think it is self-righteous to believe so. What I am saying is the warmness should NOT be the only thing you feel.

If such film does have some cheerful moments or ends on a glaringly hopeful note, it should NOT be entirely sweet. Instead, it should be an emotional rollercoaster. It should be bittersweet.

Yes, a socially-charged film can indeed be too good to be true. Ideally, when that feeling

It is one thing to enjoy escapism. But, it is another when the escapism commands us to blur the line between reality and fantasy… and we unquestioningly oblige.

Oh, and I should mention that the main white character in the film, AKA the redeemed racist, is based on a real person… and his son is one of the screenwriters, who was in hot water for believing in an anti-Muslim conspiracy.

Even though he did apologise for it, wouldn’t the combination of his (allegedly past) bigotry and conflict of interest be a concern for fans of the film?

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I don’t know exactly why they exist. But, they intrigue me

 

I am talking about the opening ceremonies of multi-sports events. Considering I am too lazy to do some research, I will make my own obviously-invalid conjecture about how they came into being.

It seems the elaborateness started on the 1980 Summer Olympics held in Moscow. I assume the USSR tried to compensate for its human rights violations and impoverished populace by bringing out the ‘positivity’ that was the opening ceremony.

I have that assumption because it is no secret countries all over the world, even ones more well-off than the USSR, actively bearing deceptively friendly and warm facades on the international stage. No matter how free and peaceful their countries are, they all need propaganda… and opening ceremonies of multi-sports events make a really good one.

They are the only propaganda I willingly fall for. They are the only reason why I care for some sporting events and they also successfully instil suspension of disbelief into my mind; every time I watch the ceremonies, I am willing to pretend that the host countries are all-perfect, albeit temporarily.

I have made reviews for the opening ceremonies of Asian Games and Para Games 2018 (simply because I am an Indonesian, obviously). Don’t know why it took me a long to review the summer olympics ones.

I will focus on the ones held in Sydney, Athens, Beijing, London and Rio de Janeiro, in that order. They are the summer olympics openings I have watched in their entirety.

I know I could have waited for the Tokyo one. But, I want to write this down now.

2000 Sydney

There are three things that I love about this edition: Deep Sea Dreaming segment, Nature segment and James Morrison’s Jazzy fanfare.

I love the two segments because the combination of playful and colourful visuals with soothing orchestral soundtracks result in an ethereal spectatorship. I love the fanfare because of how its energetic sounds compliment the atmosphere of a sporting event.

But, the rest of the ceremony is tacky and problematic.

In contrast to those two specific segments, the others seem to be designed solely to hype up the audience. The segment titled Arrivals even goes so far to exhibit extremely sparse visual and prefers to give spotlight to the kitsch upbeat techno music!

One of my media studies lecturers also pointed out the whitewashing in the Tin Symphony segment. Instead of showcasing the hardship of the British convicts sent to Australia, it only depicts happy early European settlers.

I also pointed to her that throughout the ceremony, one can see the Aboriginal performers observing the performances from afar. It can be interpreted either as a commentary of how Australian Aboriginals are excluded from their country’s festivities OR as a subtle middle finger to them.

It might not be ill-intentioned. But, combined with the historical whitewashing, it can send a wrong message.

2004 Athens

The conclusion unfortunately feels cold and I think the use of trance music during the parade of nations emits an off-putting vibe of self-indulgence. But, at the same time, it is the most artistic and thought-provoking opening ceremony ever… and I said that without any sense of exaggeration.

The Allegory segment really does live up to its name. It is a dream sequence (and I am a sucker for dream-like atmospheres) which features a giant, floating Cycladic head sculpture breathtakingly arising from the body of water with geometric imagery projected onto it. Then, the sculpture breaks into pieces, revealing a more sophisticated sculpture of a human torso inside… which breaks again, revealing another human torso sculpture. A white cube also arises from the water with a man tries to balance himself on it, all while images of human beings and humanity’s achievements projected onto the sculpture’s broken pieces. The segment ends with the pieces land on the water, representing the Greek islands.

Basically, it is an allegory about the evolution of human civilisations and present-day Greece is one of the starting points. I adore this segment for its skilful storytelling with no expositions needed. Anyone with basic knowledge in history will easily get it.

The Clepsydra segment is also a unique segment. It depicts Greek history and mythology. But, how they are depicted struck me. It took me some time to realise the moving things on those carts were not animatronics, they were actual people with painted bodies who deliberately moved like animated sculptures!

It is refreshing from the usual routine of performers wandering all over the venue. It feels less like watching an entertainment show and more like visiting a museum; for someone who loves visiting museums, it is certainly a strength.

I always wonder about the performers: were they dancers, actors or models? I thought about those three professions because they clearly require mastery of our body languages.

The presence of Björk, a musician known for her intense musical exploration, surely bolsters the event’s overall artistry as well.

2008 Beijing

I know people will rip me for this (as if my essay will ever blow up): this edition is too overrated.

The more mature I get, the more I see how tacky it is. In fact, it is as tacky as the Sydney one. No regard for aesthetic, only for the audience’s desire for eye candy.

Okay, it is a bit unfair. The Beijing edition is certainly more grandiose and therefore, requires more discipline from the performers. Disciplined enough to work as a large collective, but still manage to look like humans instead of robots.

2012 London

Aesthetic wise, I am not that impressed. Many of the choreographies (excluding the one in the 7/7 tribute) are either awkward or basic. The one in the children’s literature segment looks like it was created by an amateur.

The event is also another pander express. It chooses to showcase the United Kingdom’s most famous aspect of life: pop culture. Of course, I do understand why the focus is not on British heritage or history; the former may be boring to non-Brits and the latter is associated with colonialism and must be executed with great tact. Pop culture is a safe choice. But, it makes the entire ceremony feels like a commercially-produced British TV show.

Strangely, I also think it has emotional profundity lacking in the other editions. The joy, the grief, the sense of wonder, they don’t feel artificial. They feel sincere.

I wonder if it has something to do with the nature of British entertainment.

From what I observe, American and Indonesian ones (especially when one talks about ‘reality’ TV shows) can be forceful with the emotions; they love to dictate the audience on what to feel. British entertainment, on the other hand, prefers to let them speak for themselves and it is always transparent about their absence.

Obviously, my statement is too simplistic as exceptions does and will always exist. But, from my personal experiences, Indonesian and American entertainment constantly annoy me with their overt-sentimentality which always comes across as insincere; British one barely annoys me like that.

2016 Rio de Janeiro

I don’t know what the fuck is wrong with this edition.

It has eye-catching visuals, it has upbeat music… and yet, it feels anaemic. It reminds me of a person who tries to put a lively and energetic facade when deep down, he/she in favour of calmness and quietness. I have such observation because the calmer segments work rather well.

My God, the environmentalist message. Why does it have to be so on-the-nose? When will people realise that blatant messages in the arts and entertainment are fucking off-putting? How will this make people accept that humans are a a part of nature and not above it?

The only thing I like about the ceremony is the acknowledgement of Brazil’s history of slavery. I love it because such acknowledge is refreshing to any countries… and because it is actually goddamn subtle and not dependent on any fucking bullshit expositions!

Which editions are my favourites?

The Athens and London ones, if you can’t tell.

Instead of completely pandering to the masses as the creative director of the Athens edition, Dimitris Papaioannou maintained his identity as an artist. Creators must be commended for that because, whether we want to admit it or not, the members of the audience were benefited by non-escapist and artistic presentations and having their horizon widened even further. Considering the global significance of the olympics, Papaioannou did millions of people a favour by compelling them to stay ‘switched on’, albeit only for a while.

And yes, I am making a big deal out of the London edition’s emotional sincerity. It is just that I am deeply revolted by the synthetic emotionality which many creatures prefer over the organic one; they prefer the former because they think being obvious equals being sincere. Running into the latter is such a nice, rare treat.

But, do you what is nicer? Fusing both strengths into one.

Can you imagine watching an opening ceremony that makes you think and feel? Right now, I can only yearn for such gratification.

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How to report problem countries

Obviously, every country is a problem country. And yes, including the so-called number one country, the so-called United States of America.

In this context, I am referring to countries like Iran and North Korea which are known for their severe human rights violations and have been extensively and negatively covered by foreign (mostly western) media.

  • I hate sugar-coating. I believe exposing the factual negative aspects of certain countries is not inherently hateful; there is nothing wrong about sticking to the truth.
  • But, it can be hateful when we insist the coverage must be entirely negative and are offended by the idea of showcasing genuine positivity because we want to keep affirming any prevailing preconceived notions.
  • I first noticed this when I watched the North Korean episodes of Departure, a traveling TV show which focuses less on the destinations and more on the journeys; they received backlashes for allegedly spewing pro-North Korea propaganda.

    Correct me if I am wrong. But, from my knowledge, a country’s propaganda should brag about its non-existing divine perfection and work as the ruling government’s ideological mouthpiece.

    Departure does none of those things.

    While the hosts did not mention the human rights violations of the countries they visited, they also never tried to paint them in an entirely positive light.

    The show is entirely non-political. The hosts only care about exploring nature and interacting with the locals; the latter is the theme of the North Korean episodes.

    If anything, I believe the show does the ordinary and unprivileged ordinary North Koreans a great favour.

    Because of the lack of political agenda, the white Anglo-Canadian hosts had no problems interacting with a group of East Asians who grew up isolated from the rest of the world. The resulting interactions were wonderfully wholesome.

    The episodes do not depict cultural clashes, they depict people who enjoy each other’s presence despite the linguistic and cultural barriers.

    They depict humans who see each other as fellow human beings.

    But, some people didn’t like it. They believed the only way to give the North Koreans a favour was to focus entirely on the system that oppressed them.

    I disagree with that belief.

    North Korea is not just an obscure country that most people haven’t heard of; they have, albeit sometimes mistaking it for its sibling down south. Because of that, negative media coverage is not only common, it is over-saturated.

    The over-saturation results in the dehumanisation of the North Korean people. Let’s face it: most of us don’t see North Korea as a country where fellow humans live, they see it as a giant oppressive machine that must be destroyed at all cost.

    And, whether you believe or not, this kind of dehumanisation already has a negative effect on the state of humanity.

    It is not a secret that many people, especially neoconservative westerners, support invasions of repressive countries like North Korea without any regards of innocent casualties; I mean, if they really care, they would not get aroused by the idea of violent invasions and would not perceive any innocent casualties as mere “collateral damage”.

    While I don’t pay as much attention to it, I also notice the same thing with how western media treats Iran.

    The humanisation of the Iranian people is way more well-received. But, unfortunately, the demand for dehumanisation prevails among the politically-outspoken degenerates.

    Many still refuse to see Iran as a place where humans live… which is why, just like in the case of North Korea, they are not hesitant to support violent military interventions against it.

    I do have my own solution to deal with this problem. But, not only it is made by a non-expert, it is also rather tricky to implement.

    If a country has been almost entirely negatively reported by foreign media and you want to make a documentary (or something similar) about it instead of a normal news report, there are two things you can do.

    The first thing you can do is to cover positive things about said country and tell the world its previously unknown faces.

    And when I say “positive”, I mean genuinely so. They should be based on facts instead of the political establishments’ rhetorics. You have to make sure the presentation of positivity does not paint the country in an entirely positive light.

    Youtuber Louis Cole AKA FunForLouis made a series of vlogs of him and his friends visiting North Korea. Even though I was never subscriber, I was intrigued…. and was quickly disappointed.

    Obviously, I should watch the sequels as well. But, in the end of the first video, he said North Korea was not as bad as people claimed simply because he and his friends were greeted with a touristy welcome; at that moment, he seemed to perceive a choreographed performance as an excellent representation of the reality.

    I was already repulsed about those overtly-polished Youtube vlogs. Cole’s ignorant comment only intensified my repulsion.

    Departures has proven that, if you use your brain a bit more and don’t easily fall for deceptive veneers, you can shed a positive light on an oppressive country without becoming its government’s propaganda tool.

    But, if you are reasonable iffy about making positive coverage and still prefer to do a negative one, I have a second tip: find a fresh angle.

    If you keep repeating the same real life horror stories, the only thing you would be good at is affirming simplistic prejudgements about North Korea and discouraging outsiders from humanising the victims due to the lack of nuances.

    I think the Youtube channel Asian Boss does a great job in getting the fresh angles. Instead of treating their North Korean interviewees as propaganda tools to exploit, they treat them as individuals with human stories to tell.

    As a result, not only it results in ethically-dignified documentaries, it also unearths surprising facts about the country they are defecting from.

    For instance, even though the consumption of foreign media is prohibited in general, I did not know that consumption of South Korean media will result in more severe punishments than the consumption of western one. It confirms one of our preconceived notions…. but, in a rather complex way.

    I specifically said this tip is only for those who make documentaries and the likes and NOT for journalists who solely make daily and relatively short reports.

    Why? Because it is obvious that my tips, especially the second one, require in-depth analyses and cannot be simply done in less than a day or even a week.

    Well, they can. But, the results would be sloppy.

    Okay, I am aware of how horrible my suggestions are; not only I have zero experiences in the media industry, my words are not precise and technical enough to be practically useful. Heck, even if I am a highly-experienced professional, my suggestions would not be the be-all and end-all.

    But, even then, the unreliability of my tips does not mean the media industry is perfect as it is. Every person with functioning brain cells knows mediocrity and lacking integrity are embraced as virtues.

    Public discourses about the ethics of depicting authoritarian countries are almost non-existent and, for reasons I have mentioned in this essay, it is something to be reasonably angry about.

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  • Strongman

    … Is a stupid synonym for the word “dictator”.

    People use that because dictators are credited for their countries developments and/or stability. Let’s assume they have indeed contributed positively to their countries (even though it is highly debatable at times).

    But, I don’t believe any of them deserved to be called “strong”.

    Why can’t the so-called strongmen efficiently lead without silencing constructive criticism and non-violent opposing views?

    Why can’t the so-called strongmen persuade the majority of the citizens and their oppositions to like them and support their policies?

    Why can’t the so-called strongmen punish violent extremists without brutally oppressing innocent people?

    If they are really strong, wouldn’t they be able to reach goals despite the recurring resistance? Why do they need authoritarianism to fulfill them?

    If anything, their inability to handle disagreements show how weak they are.

    We call dictators “strongmen” probably because we still associate “strength” with the willingness to brutalise every person who stand on our ways, even when they are barely blocking them.

    We rarely associate “strength” with “resilience”.

    I am willing admit that dictators (some, at least) have given bountiful positive contributions to their respective countries and their methods are the easiest way out. It is dishonest for me to say otherwise.

    But, I still refuse to call them “strong”.

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    The Swede’s rhetoric

    I have made a few articles about Felix Kjellberg AKA Pewdiepie and one contains my arguments about how he is actually a reckless edgelord instead of an actual far-right ideologue.

    I mention how he never makes excuses for the bigotry of some of his fans, how he was (and still is) slandered by the media and how he only invited one right-wing pundit just to review memes instead of letting him spill verbal diarrhea.

    But, for some reasons, I forgot to talk about his own rhetoric.

    Below, I am going to list the common talking points of contemporary western conservatives:

    1. Equal rights are the same as special rights for women and the minorities

    2. Women are happier when they are treated as the “lesser sex”.

    3. The Southern Strategy never happened and American Democratic party is still the racist party.

    4. Taking down Confederate statues equals erasure of history.

    5. The Bell Curve is scientifically legitimate.

    6. Any violence committed by Christians of European descent, including the Holocaust, the Trail of Tears, and the Crusades, were either justified, exaggerated or fictional.

    7. All Muslims are sleeper cells.

    8. The world is controlled by globalist Jewish elites.

    9. Sexual violence is a trivial matter, unless they are committed by brown Muslims.

    I am sure there are more recurring talking points than I mentioned above. But, those will do.

    Disturbingly, I have seen how they often they are “discussed” by conservatives, especially by those who make Youtube videos,some of whom prefer to call themselves classical liberals.

    But, from all online personalities who have been perceived as far-right, Pewdiepie is the only one who has never talked about those things.

    Seriously, I have never heard him openly or discreetly espousing any of those lies. In fact, he barely touches politics and he never talks about history; his commentaries mostly revolve around the non-political aspects of Youtube culture.

    The thing about our bigotry is it cannot be hidden completely, no matter how hard we try, no matter how hard we deny its existence. Even if we are not prone to Freudian slips, our bigotry will appear subtextually in our messages.

    I have encountered so many people online who claim to not be bigoted… and yet, if you read their words between the lines, you will notice how hateful they are.

    You cannot say you are not a racist when you believe the mere presence of non-whites is the evidence of white genocide. You cannot say you are not a homophobe or a transphobe when you believe LGBT rights discriminate against cisgender and heterosexual people.

    But, with Felix, I haven’t seen any far-right subtexts from his online content.

    His commentaries are indeed laced with subtexts… classical liberal subtexts; he is all about freeing humans from any excessive constraints, both in social and legal forms. He disapproved of the “policing” of any kind of activities, as long as they are not violent.

    Basically, he is the complete opposite of those far-right individuals who are supposedly all about liberty while advocating for taking it away from those who are different from them.

    He, the person who never calls himself a classical liberal, is way more classical liberal than the reactionaries who claim to be ones.

    About the Christchurch mosque massacre…

    Both his name and Candace Owens’s were implicated because they were mentioned by the shooter. The shooter said “subscribe to Pewdiepie”, a meme created by Felix himself, during the live streamed violence while she was cited as his number one ideological inspiration.

    And both public figures reacted differently.

    Felix was never cited as an inspiration; the shooter mentioned the name of the most popular Youtuber because he wanted more attention.

    But, not only Felix immediately condemned the massacre, he pleaded to his fans to end the meme. After his many controversies, after years of being a reckless edgelord, he has realised he has a responsibility as a public figure for every single one of his public actions… and that includes his inherently harmless meme which he created as a tongue-in-cheek response to his rivalry with T-Series.

    Owens, on other hand, responded immediately by laughing it off in her dismissive tweet, despite the fact that she is the shooter’s number one inspiration!

    I don’t know about her now. But, at that time, it was obvious she did not have any sense of responsibility as a public figure, even though she was famous in the first place because of her politically charged and definitely-not-trivial messages.

    She was not that different from Trump who took days to condemn the Charlottesville Neo-Nazi rally attended by his own supporters.

    She was not that different from other right-wing public figures who constantly incite bigotry and yet refusing to acknowledge they might have inspired atrocities like the Christchurch massacre.

    But, she and her peers are definitely different from Felix Kjellberg.

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    The problem with forgiveness

    We think we have the right to forgive every person who have committed wrongdoings.

    But, we don’t.

    The prerogative to forgive does not immediately apply to every person in existence. It only immediately so to those who are directly affected by the wrongdoings.

    If you are directly affected by one of those wrongdoings, you are literally the only person who has the right to forgive those who have harmed you.

    Your loved ones have the right to forgive once you have manifested WHOLEHEARTED forgiveness. After they have expressed THE EXACT SAME THING or AFTER THEY ARE DECEASED, the right now transfers to your acquaintances and also to complete strangers who have heard about your suffering.

    But, what if you are deceased?

    Obviously, that right immediately goes to your loved ones. Oh, and when I said “loved ones”, I meant it. Your immediate family members do not immediately count ones.

    Just because you are related to someone, that does not mean you love one another. If anything, it is no secret that family members have not only trivialised the sufferings of their so-called loved ones, but also have intentionally inflicted pain on them.

    If your best friends have shown how much they care about you more than your immediate family have, then they are your true “loved ones” and your family can fuck themselves!

    I believe this problem exists because we communalise sufferings.

    We believe in the idea that if one person suffers, every other person definitely feels the exact same pain. We believe that there is nothing wrong about pretending to feel the exact same pain.

    Even if someone experiences the exact same affliction that you have or had, it does not mean you fully understand his/her suffering. Literally everybody is different; how you live your life won’t always work on other people. Forgiveness is not a universally effective antidote.

    Those who suffer do not need our pretense. They need our empathy.

    Empathy does not require us to pretend. Empathy requires us to simply acknowledge that what they are experiencing is painful to them, even though we don’t feel the pain ourselves.

    —-

    This anger of mine has been slowly brewing for years and the brewing started to intensify when I saw internet users who believed the Nazi war criminals should be forgiven and we should just drop the idea of prosecuting them just because they are old.

    It deeply disturbs me because not only they trivialised the severity of human atrocity committed by the Nazis, they don’t even have any family members who endured the concentration camps.

    Well, I am inclined to believe so because they didn’t mention having victims and survivors of the holocaust as family members. If they want their pleas to be more emotionally impactful, shouldn’t they mention about having those relatives?

    Either they suck in persuasion or they are assholes.

    My anger peaked when one of those plea makers cited the post-genocide Rwanda as a stellar example of forgiveness.

    Except, it is a dreadful example.

    When interviewed by Humans of New York, Rwandan president Paul Kagame said the country decided to not punish those who partook in the genocide.

    Why? Because he said it was impossible to imprison almost the entire country.

    Essentially, what Rwanda did was not forgiveness. What they did was absolution, a state-sanctioned formality, which itself driven by admittedly much needed yet still callous sense of pragmatism.

    It is just dishonest to call this “forgiveness”, isn’t it?

    Forgiveness is supposed to benefit humanity. Instead, it is being used to undermine it.

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    Religious clothing and secularism

    I’ll be straight forward: I disagree with the ban of religious attire in certain public areas and I disagree for two reasons.

    Reason one: the blurred boundary between cultures and religion.

    Take holidays for example. Christmas is a Christian (originally Pagan) festival celebrated by staunch atheists in the western world and the Laïcité-embracing French government, despite its prevailing spiritual significance among devoted Christians. Halloween, another holiday of Pagan/Christian origin, is also celebrated by secular and religious westerners alike. Nowruz is a Zoroastrian holiday celebrated by Persians all over the world, including the ones living in Afghanistan and Iran, despite its prevailing spiritual significance among Zoroastrians.

    In much of the world, we name the planets (and one former planet) in our solar system based on Roman Gods; NASA even has the Project Apollo, which is named after the Roman God. Garuda is a creature in Hindu mythology and yet it is one of the national symbols of Indonesia, a predominantly-Muslim country; in fact, none of of the country’s national symbols are of Islamic origin.

    When it comes to headcovering, many people associate it with Islamic dress. But, everyone with basic religious literacy knows it is NOT an exclusively Islamic thing; it has been used for non-Islamic religious rituals and even for entirely cultural reasons! That’s what both Islamophobes and zealous Muslims refuse to acknowledge.

    Reason two: it is just fucking clothes, for fuck’s sake!

    Okay, I don’t actually believe that.

    I do think what we wear matters depending on the occasions as we can emit impressions, both accurate and inaccurate, to others without uttering a single word. For example: one would never visit a funeral while adorned in party costumes; if one wants to be perceived positively, wear the proper outfit. One must always be mindful of one’s own image. While I try not to judge how people dress, I cannot expect them to do the same.

    But, some people don’t share my mindset. Instead, they genuinely believe our outfits are literally everything and therefore, it is acceptable for them to judge a person’s dignity and even morality solely based on how he/she dresses. I disagree with it because I have an approach called ‘living in reality’.

    Suits and ties are often associated with dignity, despite the fact that sleazy TV journalists, politicians, lawyers and businessmen are almost always seen wearing them. If I have to bring up Muslims, I have met ones who genuinely believe their adherence to strict supposedly religiously-obligated dress codes make them morally superior than me, despite the fact that they are anything but moral as shown by their supports of discrimination and their support of/unwillingness to condemn extremism.

    In the context of state secularism, it is often believed that donning religious attire is an indication of one’s commitment to put one’s religion above everything else. I have met hijabi Muslim women who think Islam should be their countries’ only state religion and their fellow Muslims should be given more rights than the non-Muslims.

    But, I also have met hijabi women who are either apathetic about the topic of state secularism OR are in favour of governance that respect the society’s plurality. I also have met non-hijabi women who are apathetic about this issue and do not see anything wrong with the presence of religions in public schools. In fact, I know one Indonesian Muslim woman who hates hijab and supports the policy of banning hijab… who also refuse to vote for non-Muslim candidates in the recent Indonesian parliamentary election.

    Admittedly, this argument of mine won’t convince many people. Not only it is very anecdotal (and we live in a world where we even don’t take peer-reviewed researchers seriously), it is also challenges the prevailing idea of state secularism.

    It challenges the notion that appearing secular is the same as actually being secular. It challenges the notion that secularism can be achieved simply by removing religiosity out of sight. It challenges the idea that appearances can or should be taken at face value.

    France, a place where religious attires are banned from public schools and government buildings, is arguably the most (in)famous secular state and often hailed as a model of state secularism. Yet, it also gives exemptions to the Alsace region, which funds religious activities of Calvinists, Lutherans, Catholics and religious Jews and makes religious classes compulsory.

    Pre-Erdogan Turkey officially banned hijab in certain places… and yet it already had Religious Affairs Directorate which controlled mosques and appointed Imams, who were officially recognised as civil servants. Iran under the so-called extremely-secular anti-hijab Pahlavi dynasty also had similar approaches regarding religious affairs.

    So much for Laïcité, eh?

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    How NOT to introduce people to new cultures

    No, I am not basing it on my real life experiences. I am too much of a hermit to directly immerse myself in different cultures, too much of a hermit to even bother interacting with fellow human beings.

    And yes, instead of writing about how to introduce people to new cultures, I prefer to write about how NOT to. I am so easily drawn to negativity.

    My thoughts are based on what I have observed on Youtube videos and their comment sections. Buzzfeed videos produced years ago still linger in my mind because they featured American reactors of foreign dishes who were often lambasted by the comment sections not only for their ‘disrespectful’ reactions, but also for their limited tastebuds. But, I was more annoyed by the commenters than I was by the American reactors. Still am.

    Years after discovering Buzzfeed, I found Simon and Martina who made videos about their life in South Korea before moving to Japan. They often took a very contentious tone when speaking about South Korea which angered many Koreans and Koreaboos, ignoring how the couple still emotionally-attachment to the country even after leaving it.

    Right around the same time, I also discovered Englishman Chris Broad who initially made sarcasm-laced videos about some basic information about Japan. Then, as his career progresses, he makes more travelling content. Despite being grumpier and more sarcastic than Simon and Martina, his honest assertions about the country he lives in somehow feel less contentious than the couple’s regarding Korea. But, he is not without controversy, which I will discuss it later.

    Through Simon and Martina, I was introduced to Josh Carrott AKA the Korean Englishman; took me a year to check out his videos. Unlike them, he almost has entirely positive view of South Korea. I am usually suspicious of anyone who have utterly positive opinions about anything; it often comes off as insincere. But, with Josh, I don’t have that problem at all and I will also explain why later.

    I also have to mention Life Where I’m From, a Youtube channel run by Canadian Greg Lam who documents the life in Japan. While the Chris Broad and Simon and Martina occasionally make videos that can count as documentaries, Greg is the biggest documentarian among them.

    Not only he interviews significantly more individuals, he is also a lot more methodical on which information he wants to display, on how he obtains it and on how he presents them; he also sees entertainment values as supplementaries. As a result, he does a great job in destroying negative stereotypes about Japan while simultaneously putting more attention on the downsides of life in Japan. He does a better job in portraying the country with nuances than many of those so-called journalists.

    Now, to the reason why you clicked in the first place.

    For me, before you even consider introducing people to new cultures, you should NEVER do the following:

    Use stereotypes

    We all know bigots love to use stereotypes. But, the thing is even people who claim to be ‘tolerant’ and interested in other cultures fall for them as well; instead of using negative stereotypes, they use the positive or neutral ones.

    Yes, they are not negative. But, they are still stereotypes. They still see their fellow human beings as the ‘others’ who are devoid of human intricacies. It is still dehumanising.

    Excluding Josh Carrott and Buzzfeed hosts, the aforementioned Youtubers frequently described how Koreans and/or Japanese people behave and, on a surface level, the descriptions do sound stereotypical.

    But, if you listen closely, they actually debunk some of the stereotypes and reveal things we never expect from either nation. That’s because the descriptions are NOT based on hearsay, they are based on said Youtubers’ personal experiences interacting with the actual people!

    Unlike stereotypes which are entirely simplistic and rigid, human beings are complex and unpredictable creatures who will never fit into any preconceived moulds, no matter how much you force them. The more you know them, the more you feel guilty about ever forcing them in the first place.

    While he describes Japanese people as generally unassertive and shy, Chris Broad also had an easy time making his Japanese friends and colleagues -some of whom were older than him- eagerly learn English profanities; he knows that Japanese people are human beings, NOT ‘cute, cuddly anime characters’ as he put it in a subsequent video. In fact, his friend Natsuki has no qualm about doing antics publicly (e.g. dressing and acting like Zorro) and approaching a complete stranger just to befriend him/her, which was how the two met.

    One of my favourite Greg Lam’s video is The Rules That Rule Japan, which title is self-explanatory. To summarise it, Japan is ruled by written and unwritten rules that seemingly contradict each other and, depending on which rules, the breaching is not always considered a faux pas. Basically, if you want to know how it is like living in Japan, you’ve got to live in Japan.

    And it is not just Japan. Virtually every country on earth also shares similar situations regarding rules. Mind you, Japan is a very homogenous country and yet it is a very complex society to break down effortlessly. Now, just imagine breaking down more populated and more diverse countries like my home country Indonesia. If a country’s description feels so simple, then it is very likely infiltrated with inaccuracies.

    A year after leaving South Korea for Japan, Simon and Martina made a video titled Japan or Korea: Did We Make The Right Choice? in which they expressed their preference towards Japan as a place to live. They were honest and uninhibited with their criticism about the living conditions in South Korea. But, it seems people don’t even bother to watch until the end.

    The couple also explicitly made a disclaimer about how they were speaking from their own personal experiences and acknowledged that others might have diverging impressions about either country. Many in the comment sections, presumably both Koreaphobes and zealous Korean nationalists, ignore the disclaimer and thoughtlessly spew their dogmatic vitriol.

    They intentionally ignore the video’s nuances just for the sake of affirming their versions of ‘reality’. They also ignore that Simon and Martina still see South Korea as their second home; even Simon said randomly meeting a Korean person in Japan made him feel at home.

    Thanks to Chris Broad and Greg Lam, my interest in Japan actually increases and thanks to Simon and Martina, I have actually become interested in South Korea. My interest increases and emerges NOT despite of the scores of scathing tones, but because of it.

    The imperfection makes both countries feel more real and human. The older I get, the more I actually find absolute positivity nauseating.

    Be extreme

    … And my hatred of absolute positivity is the reason why, as I mentioned before, I hate those who made negative comments on Buzzfeed’s food reaction videos more than their trashy American reactions.

    For those commenters, NOT liking the dishes was not an option. They believe the reactors HAD to like them! For them, not liking those dishes was akin to spitting on their faces. They genuinely remind me of over-zealous fandoms.

    Correct me if I am wrong. But, those reactors volunteered to be in the videos; basically, no matter how unrefined their behaviours were, they were willing to try to new things and that is something we must appreciate! To this day, my willingness to try new things is still too minimal.

    I previously mentioned Josh the Korean Englishman whose (seemingly) absolutely positive view about South Korea does not put me off; nowadays, anything that seems will immediately put off. I believe it has something to do with how he expresses his love of Korea.

    Some of his videos can be summarised as ‘foreigners (mostly English) trying Korean foods’ and those foreigners are not only honest about whether they like the foods or not, they sometimes make jokes about them… and you know what? Josh was not offended at all!

    He does not care whether they love the food or not, he just wants to share an aspect of one of his beloved cultures. If anything, his passionate yet civilised tactic actually works! His friends end up appreciating Korean culture. Even his mom and his best friend’s father, whom have been repeatedly described as ‘very English’, also end up appreciating Korean culture!

    But, even if you are not a hostile, you should be methodical in how you introduce a certain culture. Don’t go straight to the ‘weird’ stuffs.

    If you want to introduce someone to Japanese cuisine, don’t go straight to sushi, sashimi or natto. Not every country in the world eats raw meat and foul-smelling, fermented soybeans. Take it easy and go with tempura and ramen first, which I know will make easy starts as fried foods and noodle soups are common all over the world.

    If I were tasked to introduce Indonesian cuisine to foreigners, I would consider their backgrounds. If they are of East Asian descent, I would start with Chinese-Indonesian dishes. If they are of South Asian descent, I would start with gulai dishes which are considered as ‘Indonesian curries’. Unless the foreigners are from other Southeast Asian countries, I would think twice about starting with Sundanese and Javanese cuisine due to them being almost entirely indigenous.

    If you go extreme -whether in how you behave or how you determine the starting points-, you would deter others from being adventurous.

    Be arrogant

    I do believe the ability to appreciate different cultures is a sign of sophistication. But, I still think there is no excuse for self-conceit. Our relatively broad cultural palates exist because the cultural exposures we have experienced…

    …And those exposures exist because of our fellow human beings. You would not be as sophisticated if it wasn’t for them.

    I used to be smug about my cultural sophistication. I was able (and still am) to appreciate the both foreign cultures and the distinct regional Indonesian ones, particularly in the forms of foods and music. But then, I realised that my tastes in both have something to do with me being a citizen of Indonesia, a culturally diverse country that also willingly accepts foreign cultures; I have lived in the Greater Jakarta area, which is unsurprisingly diverse, and my hometown Batam has not one but five dominant ethnic groups and is located near Singapore and Malaysia.

    When it comes to my music taste, I also have to credit one of my music teachers and my mom. My teacher introduced me to Mahavishnu Orchestra, which was my gateway to more complicated music and my mom had the 1999 version of Badai Pasti Berlalu CD, which was my gateway to quality Indonesian pop.

    My relatively-sophisticated taste is a product of my socio-cultural environment and I can confidently say the same thing can be said about yours… and Josh Carrott’s.

    His attachment to Korean culture was born out of his sense of isolation as the only British student in an international school in China. It was the Korean students, the school’s main demographic, who took care of him and consequentially exposing him to the culture. If they didn’t do so and/or he decided to transfer to an English boarding school, he would not have his dual Korean-English identity. There would be no Korean Englishman!

    In the case of Simon and Martina, Chris Broad and Greg Lam, it is different from Josh’s and mine. Their appreciation of foreign cultures emerged or increased after they moved abroad; Greg moved because he is married to a Japanese citizen while the others decided to teach English as a foreign language. Without their decisions which require them to leave their national and cultural bubble, they would not have the cultural sophistication they have now.

    And because our experiences have definitely happened to other human beings, it is very reasonable to assert that we are NOT the only ones who possess cultural sophistication.

    …..

    Once again, I have to remind you that I have never done anything that is remotely similar to what those Youtubers are doing. I am basing my words on my observation of Youtube’s content.

    Yes, I do not have any peer-reviewed studies supporting what I am arguing above. But, let us use common sense here: do you seriously think hostility, conceit and the tendency to stereotype are desirable traits in an individual?

    Whether you believe it or not, those traits are off-putting. Embracing even just one of them means you are repelling others from liking you; the only ones you attract are those who share your repellent quality and are also avoided by more well-refined personalities.

    If people are disgusted by you, how do you expect them to love what you love? If anything, not only others won’t end up loving what you love, they will end up hating it. It does not matter whether it is of good quality or not.

    You, the enthusiast, are seen as a representative of the thing you love. Because you are such an abhorrent individual, many will assume the thing you love is equally abhorrent. I mentioned ugly personalities attract each other and it seems some people believe the same principle applies to non-living entities as well; many people thought the extremist tendency of Steven Universe fandom manifested the show’s poor quality, despite having never watched a single episode.

    Yes, it is fallacious to deem something solely based on the behaviours of its enthusiasts. But, it is also wrong to carry ourselves so dementedly, we present outsiders an extremely distorted view of our fellow enthusiasts and, most importantly, the thing we love.

    We love it so much, we make others hate it.

    ……

    Now, those of you who are not guilty of such abhorrence may think I am making a big deal out of nothing and I am like a cat fighting his own reflection in the mirror; admittedly, I can be that neurotic and I have lost count how many mirrors I have smashed. But, if you have ever interacted with your fellow human beings online and offline, you would acknowledge that common sense is not common.

    If you watched Buzzfeed videos many years, you would remember how malicious the comment sections can be against the hosts simply for not liking certain dishes. Even if you were never interested in such content, I am sure you have interacted with fandoms who think they can abuse anyone into loving their beloved idols and works of entertainment.

    The idea that common sense being common is an exaggeration.

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    Tradition: a misguided argument against mandatory hijab

    Yes, it is indeed a widely-used argument. But, believe it or not, popularity does not and will never determine rightness. A million people can be wrong. Well, ‘wrong’ is too broad of a word; ‘ignorant’ is more fitting accurate.

    I hate it when ‘traditions’ are used as arguments against novelties. If I ask you to define the word, you would probably answer it as ‘old’ things; my dictionary defines it as things that have been around for many generations. The more I think about it, the more I don’t see how any of those definitions support the arguments.

    Old things used to be young. Being passed from one generation to another means there was a starting point. Those definitions insinuate that traditions started as novelties which existence were initially opposed by the reactionary voices in their respective societies, insinuate that novelties will become traditions later in the future.

    Of course, one may also argue novelties must be conceived within our own borders. We should never let foreign powers dictate our identities and we must always thrive to be ourselves. If you are an Indonesian Muslim, why become an Arab? But, too bad humans don’t live in vacuums.

    Of all the things we consider as traditional to certain places, lots (and, depending on your backgrounds, probably the majority of them) are “foreign”. The traditional food we eat and the traditional arts we pretend to care about would probably would not exist without outside influences.

    If you think your country is unique, just remember it is not the only one that has Mother Nature in its mythology, not the only one that has flutes and drums among its traditional music instruments and it is certainly not the only one where cheese, noodles and fried battered foods are traditionally eaten.

    Of course, as an Indonesian, I can use my country as an example.

    This land of Austronesians (and Melanesians as well) has been influenced by foreigners since forever. Mie ayam, nasi goreng and pangsit would not exist without the Chinese. Sindhens, gulais and Garuda would not exist without the South Asians. Keroncong, tanjidor and pastel would not exist without the Portuguese. Klappertart and kastengel would not exist without the Dutch. Nasi kebuli and martabak would not exist without the dreaded Arabs. Apart from the English loanwords, our national language is also laced with Indian, Chinese, Dutch, Portuguese and, yes, even Arabic ones.

    Islamic extremism is indeed something to be fearful about. But, it is pointless to fear Arabisation when some of our supposedly beloved ancestors ‘endured’ it and, in fact, had their identities enriched thanks to it.

    Okay, it is a very simplistic statement. Foreign influences can both enrich and devalue our heritage. It depends whether the existing traditions are ‘improved’ or wiped out entirely. But, in the context of the previous paragraph, I solely use the word ‘enrich’ because some Indonesians don’t realise that their so-called beloved heritage has Middle Eastern influences in it.

    Should I also mention that Islam is a religion of fucking Middle Eastern origin? I mean, if they really fear Arabisation, why don’t they ditch a religion that uses Arabic as its fucking liturgical language and start practicing animism like their ancestors did?

    In case you haven’t noticed, I draw a strict line between Arabophilia and Islamic extremism. The former is an entirely secular endeavour while the latter often goes along with the embrace of Arab culture… or to be precise, what they feel is Arab culture.

    In reality, there is no such thing as Arab culture, only cultures. Plural. A country is considered ‘Arab’ because it uses literary Arabic as its national language, NOT because of its cuisine, clothing, arts and brand of Islam. The Maghreb, the Horn of Africa, the Arabian Gulf and the Levant are culturally and religiously distinct from one another.

    If you actually learn the basics of Arab cultures, you would realise those Muslim extremists have little knowledge about the traditions; if they really are into them, they would wear agal, eat hummus, drink Arak, watch MTV Arabia, do belly dancing and, you know, actually speak Arabic as their fucking first language!

    And, just like the Islamists, many moderate Muslims also know nothing about Arab cultures. They see long white garments and hear Arabic-sounding words and they think the Arabs are invading! While I am with their anti-extremist stances, I despise how they use this crisis to justify their anti-Arab prejudice.

    Moderate Muslims constantly claim they are against prejudice despite their blatantly prejudiced attitudes.. How can you defend yourselves from your barbaric enemies when you keep pointing the guns towards your feet? How can you fight the epidemic when you falsely see yourself as immune?

    Also, those people forget how Indonesia is being infiltrated by contemporary western cultures which have done a great job wiping out our traditions. While the west is indeed more free than the Arab world, the double standard is too infuriating for any reasonable humans to ignore.

    And I haven’t talked about the misogyny yet.

    The title of this article clearly says ‘mandatory hijab’. I believe the amount of exposed hair and skin is none of our business. It is entirely up to them if they want to wear shorts and show their cleavages. If the sight of skimpily-dressed women is too distracting for you, just simply avert your gaze! Your problem, not theirs!

    And the same thing can be said about hijab.

    Unless the women are involved in activities where covering up can possibly result in bodily injuries, the amount of covered hair and skin is also none of our business! It is up to them if they prefer to cover their hair and skin. If the sight of ‘modest’ fashion is too distracting for you, just simply avert your gaze! Once again, your problem, not theirs!

    There is a frequently-touted rhetoric that hijab is inherently oppressive which means literally every hijabi is an oppressed, rescue-worthy woman and banning the garb is the only mean to do so. This so-called expression of feminism champion women’s rights to wear anything they want… by taking their right to wear anything they want.

    Such rhetoric is often divulged either by westerners or Uncle Toms who romanticise the west. I have never heard it being embraced by my fellow Indonesians and, frankly, I am not surprised. Unlike westerners who champion oppression of women under the pretense of feminism, Indonesians never bother to do so.

    Heck, they even never bother utilising the anti-extremism pretense. Indonesians, including the ones who identify as moderate Muslims, are very open about their misogyny. They are proud of their endeavours of championing subservience among housewives and holding women to higher standards of sexual mores than men… and they are certainly proud of their shaming of women who cover up and refuse to fulfil the ‘traditional’ dress codes.

    No, I don’t think Indonesian moderate Muslims are as bad as the extremists; the former certainly have stricter morals than the latter. Between those two factions, taking sides would not be much of a dilemma. But, both still have some things in common with each other and anti-feminist approach to life is certainly one of them. They are holding the country back from becoming more civilised.

    To summarise my rambling…

    Using Arabisation to justify one’s anti-hijab sentiment is uneducated, prejudiced and misogynistic.

    Uneducated because it falsely thinks humans live in vacuums and pretends that intercultural interactions is a recent human phenomenon.

    Prejudiced because it is an excuse to dehumanise the ‘others’.

    Misogynistic because it is used to shame women for refusing to dress ‘traditionally’ and preferring to dress like ‘foreigners’.

    You geniuses will never be the ones who defeat extremism and you certainly will never be the ones who advance women’s rights.

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