Literacy increased, thanks to the internet

Media literacy, not literacy literacy. I cannot help but noticing how prevalent it is among Millennials and Gen Z, who are arguably the biggest internet consumers.

Okay, I am not saying that we are one hundred percent literate in the media. We are not. But, compared to the older generations -who consume the internet a lot less-, we are far less easily duped by internet content.

We are more reactive to clickbaits and we have great eyes for photoshopped images. We also can get belittling and even hostile towards ‘fakeness’.

Yes, my words are anecdotal. But, the generational disparity is hard to ignore and I had been noticing this for quite a while; I was even more convinced of its existence after watching a Danny Gonzalez video, in which he doctored his own photo to make himself look like someone else and his Instagram followers immediately knew it was photoshopped. He succeeded only after an impressively-meticulous planning.

(Note: I have to mention that the much younger internet consumers are also relatively gullible. But then, it has less about their internet experiences and more about having less developed brains.)

Personally I credit our relatively high media literacy to four factors:

1. The participatory nature of internet cultures

Unlike ‘traditional’ media, the digital one allows its consumers to be its content creators as well and many embrace the opportunity.

Inevitably, many internet consumers know the behind-the-scenes process of content creation; they have learned how to doctor images, edit videos, do sound design and write scripts and/or blogs.

2. The unintentionally educational nature of certain content

Some Youtubers I have watched love to make videos about having fun with photoshopping. Those who make commentaries constantly call out deceptiveness of online content creators; sometimes, even ‘traditional’ media is not free from their ‘wrath’.

Consequentially, many of their viewers will end up becoming more vigilant for doctored images and overtly-manipulative choices of words, video editing and sound design, even without any prior experiences in said activities.

If you are a Twosetviolin viewer (or one of a similar channel), you would probably be able to detect fake musical performances in films and TV shows, even without any prior experiences in musical performances.

3. The awareness about public personas

Youtube fans are becoming more cognisant about public personas.

They know how Youtubers behave on camera do not always represent their true selves and they have learned to differentiate the masks from the true faces. The fact that some Youtubers constantly switch personas in the same videos force viewers to be attentive of the behavioural changes.

Yes, idiots who easily fall for personas still exist. But, I notice their presence has waned for the past few years.

4. The embrace of irony and post-irony

I previously said that internet consumers can be hostile towards ‘fakeness’. Well, that is not entirely accurate.

‘Enjoying things ironically’ is a thing and online, it is very widespread. It is socially acceptable to enjoy things because they are aesthetically-bad and, consequentially, some content creators love making content that is meant to be enjoyed ironically.

Scripted vlogs are one of those ironically enjoyable things.

Vlogs are meant to be unscripted accounts of the Youtubers’ lives and any scripted moments easily stand out, thanks to their glaringly plastic quality. But, as long as the creators do not claim their works to be factual, the viewers will be able to enjoy the artificiality.

Post-ironic content is as popular as the ironic one, if not more. While it still involves irony, it also thrives to blur the lines between it and sincerity, forcing the viewers to work harder to separate the two.

I was introduced to the concept of post-irony by Youtuber Nerd City, who asserted that post-ironic aesthetic on Youtube was meant to defy the saccharine and overtly-manufactured one approved by the Youtube establishment. While I was never a fan of creators like Filthy Frank due to the borderline transgressive nature of their works, I cannot help myself from holding their rebellious intent in high esteem.

So…?

Obviously, you don’t have to turn future generations into internet addicts. Schools can simply start teaching basic communication and media skills.

The problem is I don’t know which specific skills that should be taught and how they can be integrated into existing curricula. I am also unsure about the necessity of theoretical media studies in this case.

Oh, and I doubt many will acknowledge the importance of media literacy. Persuasion is also an issue.

How to condemn the Hong Kong protesters?

*puts on a mask*

Instead of condemning them for violence and vandalism, condemn them for the followings:

Condemn them for hating prosperity

Hong Kongers would never know how it feels to be wealthy if it wasn’t for their generous and clearly-more civilised cousins from the mainland. I mean, literally every person in the world knows Hong Kong transformed into a rich city literally after the handover. Literally!

Literally the morning after the handover, money started literally raining on Hong Kong, high-rises literally started appearing out of nowhere and foreign investors started flocking in, seemingly for no reasons.

LOL! Seemingly! We all know China told them to!

The footage that supposedly shows olden days Hong Kong is literally fake. The cars and high-rises were not real, they were CGI created by the CIA!

How do I know? Uncle Xi and the internet said so!

Condemn them for disrespecting China’s sovereignty

Contrary to popular belief, sovereignty is not arbitrary. It is something that has been decided by the universe since long before earth’s creation!

It has been decided that the People’s Republic of China will always be the highest ruler of the people of Macau, Taiwan and yes, even Hong Kong! Hong Kongers don’t have the right to make decisions for themselves!

Condemn them for pissing on humanity

Seriously, do I even fucking need to explain this?

Do I really need to explain that only monsters love liberty? Do I really need to explain that real humans love it when any or all of their freedoms? Do I really need to explain that literally every human is destined to be slaves of the emotionally-fragile establishments?

If you really are a human being, you would love being abused 24/7.

Trust me. My methods are waaaay more effective!

*takes off the mask*

Groundbreaking… yet unfeeling

I am sure many of you, my non-existing readers, have heard of the legendary band Queen and its magnum opus, Bohemian Rhapsody.

If one has a relatively sophisticated taste in music (shamelessly patting myself on the back), one would understand why it is such a great song. It refuses to have the typical song structure, it has a very dynamic music arrangement and it has such bizarre lyrics which demand the full attention of the listeners (who can speak English, of course)…

… And still manages to become a popular hit, despite or probably because of its eccentricity. Not to mention it makes an extremely fun sing-along.

It is both a critical and a commercial acclaim. It is indeed special.

But, it is not my favourite Queen’s song.

The combination of cyptic lyrics and unpredictable musical arrangement gives us a clear message: the song is open to infinite amount of interpretations and has the potential to be inherently meaningless.

I cannot speak for others. But, while I can intellectually attach myself to the song, its enigmatic nature prevents me from doing so emotionally. It feels like just another art work for me to be flatulently explicative about.

Personally, I prefer Somebody To Love.

While it is often described as a technically-challenging song to perform (I am not a musician so I cannot say), I can see why it is not that legendary outside the band’s fandom.

Compared to BR, STL sounds pathetically ‘normal’. The musical arrangement is not innovative, the song structure is very much pop and, of course, the lyrics are fathomable.

But, because of the fathomability, the song allows me to be emotionally-attached to it and because of the personal nature of the lyrics, the attachment forms almost effortlessly.

The song is about one’s spiritual frustration about the absence of a romantic partner. As a listener, I definitely don’t feel the narrator’s anguish myself; it is dishonest for me to say I do. But, I acknowledge how the experience can be overwhelming for him. My ability to empathise with him means the narrative being told is belieavably human. Well, for me, at least.

However, even though the explanation makes sense, it still feels insuffiencient for me.

BR was not the only baffling works I have ever encountered. I am also emotionally-attached to the short animated film Hedgehog in the Fog and the surrealist dramedy film Arizona Dream despite their mystifying nature.

Of course, I also have my own personal interpretations for those two motion pictures; therefore, watching them is an intimate experience for me. Compare that to BR for which I still don’t have any at my disposal.

After I thought about it, there is a more convincing and solid reason for my aloofness towards the song: the live performances.

Both it and STL use the vocal multi-tracking technique to induce the choral atmosphere. But, because BR employs the technique more ostentatiously, it couldn’t be performed entirely live. Every time the band performed the song on stage, the musicians had to go backstage when the pre-recorded opera segment was played. Watching the live performance and witnessing its artificiality would definitely leave a bad taste in my mouth.

STL, on other hand, could be performed entirely live. Despite omitting the gospel-like background vocals emulated by the technique, the live version does not feel incomplete. If anything, the lack of the ‘robotic’ adornment makes the song sounds more emotionally raw, more believably human. Watching its live performance and witnessing would be an ecstatic experience for me.

Of course, one may argue my reasoning is questionable. Why do I have to use STL as a comparison? Why don’t I use other songs? Love Of My Life is arguably also emotionally-charged.

Well, three reasons.

Reason one: It is my personal bias. As much as I admit its artistry, LOML simply does not do it for me. One can catch me listening to STL on repeat. But, one’s chance of catching me listening to LOML is almost zero percent.

Reason two: As I mentioned before, both BR and STL employ the same recording technique. Discussing about how it affects each song’s artistry seems reasonable for me. Comparing two things that still share things in common is an excellent way to perceptively grasp both.

Reason three: I fucking hate fake fans.

Seriously, since that deceitful biopic was released, I noticed an increase of people who claimed to be fans of Queen. I was suspicious the only song they knew and/or loved was BR. One person confirmed my suspicion.

On the music player, I played the band’s Greatest Hits II album which contains Radio Gaga, I Want To Break Free and Under Pressure, which are also well-known among non-fans. That so-called fan said he/she could not recognise any of them and still preferred BR in the end.

If he/she is really a fan, not only he/she would have heard of the band’s other hits, he/she would also have heard of their less well-known works and fucking love them as well!

Such behaviour annoys the shit out of me! I don’t know why some people cannot refrain from declaring themselves big fans of musicians they are clearly not big fans of. Even though I have my share of favourite Queen songs, I still refuse to declare myself a big fan due to my limited knowledge about their discography.

Is that so fucking hard to do?!

Well, it probably fucking is if you ‘like’ things simply because they are popular and you want to look cooler than you really are.

Menciptakan SDM yang cemerlang dan berbudaya

Catatan:

Sebenarnya saya berencana untuk menyerahkan karangan ini untuk perlombaan menulis. Tetapi, karena permasalahan teknis, saya melewati tenggat waktu. Ya, sudahlah.

Jika kita membicarakan mutu SDM, satu hal yang sering terbesit di pikiran kita adalah pendidikan.

Memang betul pendidikan dapat dikatakan sebagai unsur terpenting dibalik SDM. Pendidikan bermutu, SDM juga akan bermutu. Tapi, apa yang kita maksud sebagai pendidikan bermutu?

Kita semua setuju bahwa disiplin sangatlah penting di pendidikan dan sebagai bangsa, kita jauh dari disiplin. Saya rasa akan aneh jika ada orang yang mau menyanggah pernyataan tersebut.

Tetapi, hal-hal yang akan saya bicarakan mungkin akan menyulut perdebatan. Saya tidak yakin bahwa anda semua akan setuju dengan saya.

Jika saya berkata kita perlu menghormati sosok-sosok yang jauh lebih berilmu dan berpengalaman, banyak dari anda yang akan mengangguk setuju. Tetapi, banyak manusia yang menganggap penghormatan dan penyembahan adalah dua hal yang sama.

Kita cenderung menuhankan sosok-sosok tersebut, lupa bahwa mereka juga manusia-manusia biasa yang juga rentan terhadap kelalaian dan kesesatan. Mereka bisa saja melakukan kesalahan dalam pemikiran mereka. Mereka bisa saja memiliki maksud-maksud tersembunyi dan dengan sengaja membohongi orang lain demi keuntungan sendiri.

Tetapi, pada saat yang bersamaan, kita juga berani-beraninya menuduh para pakar tersebut sebagai orang-orang yang sok tahu. Kita memandang rendah ilmu dan pemikiran kritis. Kita bangga akan ketidaktahuan dan kebodohan kita sendiri.

Untuk mengatasi ini, kita harus mengajari generasi yang mendatang cara-cara berpikir dengan kritis dan meneliti dengan seksama. Lebih penting lagi, kita harus menanamkan rasa keingintahuan, kerendahan diri dan keberanian untuk menentang kebohongan, terutama bila kebohongan tersebut keluar dari mulut sosok-sosok yang berderajat tinggi.

Jika usulan tersebut dilaksanakan, saya berani bertaruh generasi yang akan datang akan menghasilkan SDM yang tidah hanya berotak cemerlang, tapi juga tidak mau menginjak dan dinjak-injak orang lain.

Saya juga punya satu usulan lagi, usulan yang jauh lebih abstrak: mendidik mereka tentang kearifan budaya-budaya tradisional bangsa.

Tentu saja, banyak yang akan setuju dengan usulan saya. Saya sudah pasti bukan satu-satunya warga negara Indonesia yang ingin melestarikan warisan kebudayaan. Tapi, anda pasti bertanya apa hubungannya warisan budaya dengan SDM.

Jika sebuah negara giat melestarikan budaya tradisionalnya, berarti ia memiliki jati diri yang sangat khas; jika negara tersebut diberkahi keragaman budaya yang kaya, kekhasan tersebut akan semakin terasa. Jika negara memiliki jati diri kebangsaan yang khas, ia dapat mencetuskan karya-karya yang kemungkinan besar tidak bisa dihasilkan oleh negara-negara lain. Pada akhirnya, negara menjadi menonjol di pentas mancanegara.

Walaupun anda adalah warga negara Indonesia yang sudah sangat kebarat-baratan dan menganggap tradisi sebagai sesuatu yang terbelakang, mengenali kebudayaan nenek-moyang masih bisa bermanfaat.

Selain memelajari sejarah kehidupan mereka, anda juga dapat memelajari filsafat hidup yang mereka pegang teguh. Alhasil, anda menemui sudut-sudut pandang yang belum pernah anda pertimbangkan. Idealnya, wawasan anda semakin luas…. dan, jika ditambah dengan penalaran yang tajam, semakin mudah bagi anda untuk meluncurkan gagasan-gagasan mutakhir.

Bisa saja anda menangkis usulan saya dengan mengatakan angan-angan saya bisa diraih tanpa memelajari kebudayaan Indonesia. Tetapi, seperti yang saya katakan sebelumnya, kekhasan adalah unsur penunjang.

Kebudayaan yang berbau kebarat-baratan sudah “diteladani” di seluruh dunia. Jika anda hanya berkiblat ke arah barat, gagasan anda tidak akan begitu berbeda dengan yang dicetuskan orang-orang asing. Jika karya-karya anak bangsa tidak begitu berbeda dengan karya-karya luar negeri, untuk apa bangsa-bangsa lain mendayagunakan SDM dari Indonesia?

Sebenarnya bisa saja warga-warga Indonesia diperkerjakan oleh orang-orang asing selama keterampilan kita memadai. Tetapi, jika kita hanya andal di bidang-bidang pekerjaan di mana tugas merek hanya sekedar melaksanakan perintah atasan dan/atau pelanggan, kita hanya akan berguna “di belakang layar”.

Tentu saja bidang-bidang pekerjaan tersebut sangatlah penting bagi kehidupan kita dan hasilnya selalu kita nikmati. Mungkin saja anda sudah cukup puas dengan keberhasilan orang-orang Indonesia di balik layar. Tapi, bagi saya, keadaan tersebut masih belum cukup memuaskan.

Sepenting-pentingnya mata pencaharian tersebut, semua itu dapat dilakukan oleh setiap negara di dunia. Sedangkan mata pencaharian di mana kita bisa menonjol di depan layar mancanegara sudah terbukti sulit dilaksanakan dengan sukses. Hanya segilitar negara yang telah sukses melakukan pembaruan dan daya cipta yang tinggi.

Semakin banyak kita menghasilkan anak-anak bangsa yang bisa mencetuskan gagasan-gagasan mutakhir, semakin mudah bagi kita untuk bisa tampil di depan layar mancanegara…

…Dan, setelah hal itu tercapai, kita telah berhasil mengerahkan ketangkasan bangsa kita ke jenjang kejayaan yang belum berhasil diraih oleh sebagian besar bangsa di dunia.

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How to report problem countries

Obviously, every country is a problem country. And yes, including the so-called number one country, the so-called United States of America.

In this context, I am referring to countries like Iran and North Korea which are known for their severe human rights violations and have been extensively and negatively covered by foreign (mostly western) media.

  • I hate sugar-coating. I believe exposing the factual negative aspects of certain countries is not inherently hateful; there is nothing wrong about sticking to the truth.
  • But, it can be hateful when we insist the coverage must be entirely negative and are offended by the idea of showcasing genuine positivity because we want to keep affirming any prevailing preconceived notions.
  • I first noticed this when I watched the North Korean episodes of Departure, a traveling TV show which focuses less on the destinations and more on the journeys; they received backlashes for allegedly spewing pro-North Korea propaganda.

    Correct me if I am wrong. But, from my knowledge, a country’s propaganda should brag about its non-existing divine perfection and work as the ruling government’s ideological mouthpiece.

    Departure does none of those things.

    While the hosts did not mention the human rights violations of the countries they visited, they also never tried to paint them in an entirely positive light.

    The show is entirely non-political. The hosts only care about exploring nature and interacting with the locals; the latter is the theme of the North Korean episodes.

    If anything, I believe the show does the ordinary and unprivileged ordinary North Koreans a great favour.

    Because of the lack of political agenda, the white Anglo-Canadian hosts had no problems interacting with a group of East Asians who grew up isolated from the rest of the world. The resulting interactions were wonderfully wholesome.

    The episodes do not depict cultural clashes, they depict people who enjoy each other’s presence despite the linguistic and cultural barriers.

    They depict humans who see each other as fellow human beings.

    But, some people didn’t like it. They believed the only way to give the North Koreans a favour was to focus entirely on the system that oppressed them.

    I disagree with that belief.

    North Korea is not just an obscure country that most people haven’t heard of; they have, albeit sometimes mistaking it for its sibling down south. Because of that, negative media coverage is not only common, it is over-saturated.

    The over-saturation results in the dehumanisation of the North Korean people. Let’s face it: most of us don’t see North Korea as a country where fellow humans live, they see it as a giant oppressive machine that must be destroyed at all cost.

    And, whether you believe or not, this kind of dehumanisation already has a negative effect on the state of humanity.

    It is not a secret that many people, especially neoconservative westerners, support invasions of repressive countries like North Korea without any regards of innocent casualties; I mean, if they really care, they would not get aroused by the idea of violent invasions and would not perceive any innocent casualties as mere “collateral damage”.

    While I don’t pay as much attention to it, I also notice the same thing with how western media treats Iran.

    The humanisation of the Iranian people is way more well-received. But, unfortunately, the demand for dehumanisation prevails among the politically-outspoken degenerates.

    Many still refuse to see Iran as a place where humans live… which is why, just like in the case of North Korea, they are not hesitant to support violent military interventions against it.

    I do have my own solution to deal with this problem. But, not only it is made by a non-expert, it is also rather tricky to implement.

    If a country has been almost entirely negatively reported by foreign media and you want to make a documentary (or something similar) about it instead of a normal news report, there are two things you can do.

    The first thing you can do is to cover positive things about said country and tell the world its previously unknown faces.

    And when I say “positive”, I mean genuinely so. They should be based on facts instead of the political establishments’ rhetorics. You have to make sure the presentation of positivity does not paint the country in an entirely positive light.

    Youtuber Louis Cole AKA FunForLouis made a series of vlogs of him and his friends visiting North Korea. Even though I was never subscriber, I was intrigued…. and was quickly disappointed.

    Obviously, I should watch the sequels as well. But, in the end of the first video, he said North Korea was not as bad as people claimed simply because he and his friends were greeted with a touristy welcome; at that moment, he seemed to perceive a choreographed performance as an excellent representation of the reality.

    I was already repulsed about those overtly-polished Youtube vlogs. Cole’s ignorant comment only intensified my repulsion.

    Departures has proven that, if you use your brain a bit more and don’t easily fall for deceptive veneers, you can shed a positive light on an oppressive country without becoming its government’s propaganda tool.

    But, if you are reasonable iffy about making positive coverage and still prefer to do a negative one, I have a second tip: find a fresh angle.

    If you keep repeating the same real life horror stories, the only thing you would be good at is affirming simplistic prejudgements about North Korea and discouraging outsiders from humanising the victims due to the lack of nuances.

    I think the Youtube channel Asian Boss does a great job in getting the fresh angles. Instead of treating their North Korean interviewees as propaganda tools to exploit, they treat them as individuals with human stories to tell.

    As a result, not only it results in ethically-dignified documentaries, it also unearths surprising facts about the country they are defecting from.

    For instance, even though the consumption of foreign media is prohibited in general, I did not know that consumption of South Korean media will result in more severe punishments than the consumption of western one. It confirms one of our preconceived notions…. but, in a rather complex way.

    I specifically said this tip is only for those who make documentaries and the likes and NOT for journalists who solely make daily and relatively short reports.

    Why? Because it is obvious that my tips, especially the second one, require in-depth analyses and cannot be simply done in less than a day or even a week.

    Well, they can. But, the results would be sloppy.

    Okay, I am aware of how horrible my suggestions are; not only I have zero experiences in the media industry, my words are not precise and technical enough to be practically useful. Heck, even if I am a highly-experienced professional, my suggestions would not be the be-all and end-all.

    But, even then, the unreliability of my tips does not mean the media industry is perfect as it is. Every person with functioning brain cells knows mediocrity and lacking integrity are embraced as virtues.

    Public discourses about the ethics of depicting authoritarian countries are almost non-existent and, for reasons I have mentioned in this essay, it is something to be reasonably angry about.

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  • The Swede’s rhetoric

    I have made a few articles about Felix Kjellberg AKA Pewdiepie and one contains my arguments about how he is actually a reckless edgelord instead of an actual far-right ideologue.

    I mention how he never makes excuses for the bigotry of some of his fans, how he was (and still is) slandered by the media and how he only invited one right-wing pundit just to review memes instead of letting him spill verbal diarrhea.

    But, for some reasons, I forgot to talk about his own rhetoric.

    Below, I am going to list the common talking points of contemporary western conservatives:

    1. Equal rights are the same as special rights for women and the minorities

    2. Women are happier when they are treated as the “lesser sex”.

    3. The Southern Strategy never happened and American Democratic party is still the racist party.

    4. Taking down Confederate statues equals erasure of history.

    5. The Bell Curve is scientifically legitimate.

    6. Any violence committed by Christians of European descent, including the Holocaust, the Trail of Tears, and the Crusades, were either justified, exaggerated or fictional.

    7. All Muslims are sleeper cells.

    8. The world is controlled by globalist Jewish elites.

    9. Sexual violence is a trivial matter, unless they are committed by brown Muslims.

    I am sure there are more recurring talking points than I mentioned above. But, those will do.

    Disturbingly, I have seen how they often they are “discussed” by conservatives, especially by those who make Youtube videos,some of whom prefer to call themselves classical liberals.

    But, from all online personalities who have been perceived as far-right, Pewdiepie is the only one who has never talked about those things.

    Seriously, I have never heard him openly or discreetly espousing any of those lies. In fact, he barely touches politics and he never talks about history; his commentaries mostly revolve around the non-political aspects of Youtube culture.

    The thing about our bigotry is it cannot be hidden completely, no matter how hard we try, no matter how hard we deny its existence. Even if we are not prone to Freudian slips, our bigotry will appear subtextually in our messages.

    I have encountered so many people online who claim to not be bigoted… and yet, if you read their words between the lines, you will notice how hateful they are.

    You cannot say you are not a racist when you believe the mere presence of non-whites is the evidence of white genocide. You cannot say you are not a homophobe or a transphobe when you believe LGBT rights discriminate against cisgender and heterosexual people.

    But, with Felix, I haven’t seen any far-right subtexts from his online content.

    His commentaries are indeed laced with subtexts… classical liberal subtexts; he is all about freeing humans from any excessive constraints, both in social and legal forms. He disapproved of the “policing” of any kind of activities, as long as they are not violent.

    Basically, he is the complete opposite of those far-right individuals who are supposedly all about liberty while advocating for taking it away from those who are different from them.

    He, the person who never calls himself a classical liberal, is way more classical liberal than the reactionaries who claim to be ones.

    About the Christchurch mosque massacre…

    Both his name and Candace Owens’s were implicated because they were mentioned by the shooter. The shooter said “subscribe to Pewdiepie”, a meme created by Felix himself, during the live streamed violence while she was cited as his number one ideological inspiration.

    And both public figures reacted differently.

    Felix was never cited as an inspiration; the shooter mentioned the name of the most popular Youtuber because he wanted more attention.

    But, not only Felix immediately condemned the massacre, he pleaded to his fans to end the meme. After his many controversies, after years of being a reckless edgelord, he has realised he has a responsibility as a public figure for every single one of his public actions… and that includes his inherently harmless meme which he created as a tongue-in-cheek response to his rivalry with T-Series.

    Owens, on other hand, responded immediately by laughing it off in her dismissive tweet, despite the fact that she is the shooter’s number one inspiration!

    I don’t know about her now. But, at that time, it was obvious she did not have any sense of responsibility as a public figure, even though she was famous in the first place because of her politically charged and definitely-not-trivial messages.

    She was not that different from Trump who took days to condemn the Charlottesville Neo-Nazi rally attended by his own supporters.

    She was not that different from other right-wing public figures who constantly incite bigotry and yet refusing to acknowledge they might have inspired atrocities like the Christchurch massacre.

    But, she and her peers are definitely different from Felix Kjellberg.

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    My own museum ideas

  • I hate how I grew up in a country where we have an extremely weak museum culture. Most of the museums I have visited are abroad.
  • As an adult, I am no longer into having shopping malls and theme parks as my sources of leisure. If there are no cultural attractions that intrigue in the slightest, I would rather stay at home and watch Youtube videos…
  • ….And browse Wikipedia in where I have spent a significant amount time searching for every article about any museums.

    Being a major time-waster that I am, I now have a few ideas for museums which are not even original. But, if I have the financial means (and the skill and will), I would definitely establish them.

    Museums of hot sauces and fermented seafood.

    That’s my Indonesian tastebud talking.

    I grew up eating dishes which use fermented seafood as ingredients and were often accompanied by chili sauces, or sambal as we call them.

    I have always loved the taste of dried and salted fish. I used to hate hot foods. But now, even though my heat tolerance is still low for Indonesian standard, I am addicted to the hot flavours.

    It would not be a problem if the museums are Indonesia-centric. As the country is gifted with biological and cultural diversity, the museums’ collections would always be huge, assuming they are well-funded and well-managed.

    I am also open to the ideas of making the museums more international either by making a section dedicated to foreign content or making the entire collection international.

    But, my goals for each version differ from one another.

    If the collection is entirely Indonesian, I would want to remind Indonesians about the biological and cultural richness of their country and how the richness should be appreciated and NOT taken for granted.

    If the collection is international, I would want to remind everyone that despite our differences, we still have many things in common and our cuisines are not that different once we take a deeper look.

    I choose foods because every human eats. We can survive without the ability to play music, to dance or to show any forms of craftsmanship. But, we can’t survive without foods. Eating is universal.

    And because I personally love to eat.

    I don’t know where I should locate the museums, though. If they are Indonesia-centric, should I locate them in Jakarta, university cities like Bandung or Jogjakarta, or places with low cultural appreciations like my hometown?

    If they are international, I would definitely locate them in various countries. But, which countries I also don’t know.

    And no, I am not going to think about “maintaining” the perishable collections.

    Museums of Hollywood propaganda

    I think the name explains it and I don’t have to elaborate on why it is needed in the first place and I am focusing on propaganda in American entertainment.

    When it comes to locations, I would definitely establish one in Los Angeles, the headquarters of the industry. Of course, as it is the lions’ den, there will be lots of backlashes. Not to mention that studio executives might have connections in the government.

    Very risky. But, worth the shot.

    But, I am not satisfied about LA is its only location. The question is where else should we locate them?

    Should we choose other major, big cities like NYC, Chicago and Houston? Should we choose the nation’s capital? Should we choose certain university towns where anti-establishment attitude are rampant? Or should we choose urban areas known for unquestioning and zealous patriotism?

    If we want to branch out to other countries, which ones should we choose? Should they be America’s closest allies like Canada and the UK? Do the international locations even matter?

    Museums of human rights violations

    I am not talking about any human rights violations. I am talking about ones that are still controversial due to the persisting historical denialism and whitewashing.

    I am talking about cases like Armenian genocide, the Jewish Holocaust, the expulsion of Palestinians from their own lands, the atrocities committed by Japan in WWII, the 1965 violent anti-Communist purge in Indonesia, history of racism in Australia and the Americas and the coups committed by the US against democratically-elected governments in Iran and Latin America which were replaced with dictatorships.

    You know, topics of light conversations.

    When it comes to locations, I have to make sure they are not in countries where such museums can get shut down by the authorities.

    But, even if censorship is not a problem, I have to make sure at least one case from the host country is included in the exhibition. I want to give the impression to visitors that there is no such thing as angelic countries.

    It is also the reason why I want the museum to be dedicated to many cases instead of just one. It is a lot harder than dedicating to a single case. But, it is worth it.

    I also have to make sure it is located in localities which have lots of foreign tourists and residents. Those localities may include cities like NYC, Sydney, London and even world-famous university towns like Oxford, Cambridge, Stanford and Grenoble.

    I don’t want the learning immersion being mostly exclusive to citizens of one country. Every person, regardless of their national backgrounds, must have the opportunity to experience it.

    Yadda yadda yadda

    It is obvious that my ideas are not only unoriginal, they are also fantastical. I will never create a small museum, let alone a few big ones.

    But, I just can’t help churning my own ideas, even in fields where I don’t have any expertise in. Basically, every field in existence.

    It is fun to write down my fantastical ideas.

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    The real American power…

    … Is actually soft.

    I am referring to the concept of “soft power”, by the way. And no, I am not sorry for that shitty introduction.

    I keep seeing and hearing comments made by zealously patriotic Americans about how their beloved country is respected by the world because of its hard power.

    It is true to a certain extent. If you are one of those non-Americans who easily fall for American exceptionalism and who love jerking off to images of real life violence which America is responsible for while simultaneously getting unprotected, rough butt sex from America, you would drool over its hard power.

    But, most non-Americans aren’t like that. When their governments do bow down to the US, they do so out of not wanting to get screwed on the world stage and NOT out of genuine respect.

    Basically, projections of hard power, more of than not, are a form of bullying. Bullying with dire global consequences.

    But, do you know what people all over the world love? American culture.

    Experts of international relations have been arguing how affinity to foreign cultures will lead us to have more positive views of their countries of origin.

    And because of my own life experiences (which I have to assert as entirely mine), this is something I am not surprised about.

    Despite their constant criticism (bashing) of the USA, many of my fellow non-Americans (in this case, they are mostly Indonesians) can’t get themselves to wish literal death upon the country.

    And they all have one thing in common: they openly enjoy American culture.

    Apart from buying foods from American fast food restaurants and cafes, they go to cinemas mostly for Hollywood flicks, pay for cable TV to Hollywood TV shows and pay to attend concerts of American musicians.

    How about the propaganda present in Hollywood films?

    From what I notice, even some of the most dimwitted folks I know can easily acknowledge the propagandistic content of their sources of entertainment.

    They know that they don’t easily fall for the infamously shameless American propaganda and they also feel Americans can entertain the world like no others. That’s why they are relatively unperturbed about it.

    Me personally? A bulk of my favourite entertainers and artists are Americans; without them, I would have nothing but contempt for the United States of America.

    Oh, and I should say ordinary Americans also contribute to their country’s positive image.

    The last time I was surrounded by Americans, it was almost two decades ago when I visited the US as a young boy. I don’t remember interacting much with the locals.

    But, if one sees the anecdotes posted by many non-Americans online, they frequently perceive the Americans as friendly, easy-going, open-minded, educated and charitable people and often seen as the antitheses of the US government (somewhat debatable).

    The more negative anecdotes are often the results of interacting with the stereotypically jingoistic, war-mongering, fear-mongering, bubble-dwelling and proudly anti-intellectual Americans.

    You know, Americans like Donald “Make America Great Again” Trump.

    Americans who think their Godawful, alpha-wannabe attitudes will gain them genuine respect from the world.

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    I support colonialism…..

    *puts on mask*

    … because I am insecure little bitch of a citizen who needs extreme empowerment.

    There is nothing more gratifying than the country I unwillingly was born into invade foreign territories and pretend they are destined by the universe to be ours.

    It is even more gratifying that colonialism can also destroy the cultures and economies of the colonies. That way, they can suffer from extreme cultural and economic dependence on the motherlands, giving them even greater power projection on the world stage.

    And I hate how my beloved country of Indonesia is not harsh enough in its colonisation of the Papuans.

    The problem is Indonesia’s official motto is Bhinneka Tunggal Ika. Unity in diversity. It forces us to wear a pluralistic mask, hiding the real face of our country.

    Why can’t we be just like the Americans, the English, the French and the Japanese in the old days? If they keep doing what they were doing, so-called “languages” like Hawaiian, Gaelic, Basque and Ainu would cease to exist and the world would be a better place.

    If it were my call, I would do my best to annihilate those savage Papuan “cultures” by punishing anyone who dare to embrace them and force the embrace of Javanese culture, which is inherently noble, wonderfully anti-egalitarian and is definitely a real, proper culture.

    Not only that, I would also encourage skin bleaching and plastic surgery to the Papuans who have the dignity of not wanting to be monkeys.

    Seriously, if people call you monkeys, it’s your fault for looking like ones.

    I also hate how the Papuan provinces are given political autonomy. Literally the only provinces that deserve it are the ones who embrace Javanese supremacy!

    If anything, not only I oppose the transfer of power, I also believe the Papuans should be stripped of their power to vote!

    As they are subhumans, they are unable to make any good decisions. Therefore, they should not be allowed to vote for the presidents and MPs!

    Heck, I even believe they should not choose their own mayors! Everything has to be entirely up to Jakarta!

    Of course, I have to be fair as well.

    Despite my criticism, I also have to praise my country for making Papuans too economically dependent on western Indonesia, to the point they have to survive the high living cost with their pathetically meagre incomes.

    Finally and most importantly, I also love how the government has successfully bred a morally-corrupt, violent and historically-illiterate citizenry.

    When Papuans committed riots after a racist incident, it did not take much time for many Indonesians to condemned them for rioting and not spending a single second on condemning the racists.

    Basically, they thought the Papuans were rioting for no good reasons. Hopefully, many probably still do.

    If I think about it, the pluralistic official motto is a great tool for Indonesia’s colonialism of western Papua.

    Most of us believe the official motto is the reflection of reality instead of a mere guidance. As a result, we see our country as the most tolerant and peaceful in the world despite its glaring bouts of sectarian violence.

    Not only that, we also fool ourselves into believing the falsehood about how Papuans prayed to be rescued by the peaceful and tolerant Indonesians from the colonialist and racist Dutch monsters, even though annexation can be executed without the people’s consent and is a common method used by colonial and imperial powers.

    We greatly mistreat the Papuans and then we gaslight them into believing that the mistreatments are societal well-being. Well-being they supposedly would have never enjoyed if they remain as Dutch subjects.

    While I hate how we are too soft on them, I have to acknowledge that we have been giving them the deserving fingers for decades.

    Now, it is time for us to give even more fingers.

    *takes off the mask*

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    Different types of Hasan Minhaj haters

    Yes, I am going to talk about his haters before I talk about him because of two simple reasons: 1. I am not done analysing him; 2. His haters are annoyingly hilarious to behold.

    Now, where do I start?

    Well, so far, I can place them into three separate boxes: Pro-Duterte Filipinos, pro-Modi and anti-Modi Indians and anti-Zionists, some of whom may be Muslims.

    Those Filipinos accuse him of trying to make their country look bad and India looks good in comparison. They also accuse him of trivialising the deaths caused by drug dealers and gang members.

    Those Indians accuse him of being a Pakistani agent and an Islamic extremist apologist. The Modi detractors among them think he makes the BJP even more powerful.

    Those anti-Zionists accuse him of not making an episode on Israel simply because he fears the pro-Israel US government.

    Some of the anti-Zionists also think he hates his fellow Muslims because he has shat too many times on his fellow Muslims.

    If you actually know him, you would know how stupid those accusations sound.

    Those particular Filipinos probably think his Indian lineage proves his anti-Filipino and pro-India biases.

    Not only it is racist, they also willfully ignore that he has talked more about India in his show than he has about the Philippines.

    I also don’t know how they think “tarnishing” their country’s international image instantly makes India’s looks good. Unless you have lived in both countries, you would NEVER instinctively compare the two with each other. They neither share the same roots nor they are physically side by side. And they certainly are not major rivals.

    He also has made episodes (plural) about sleazy pharmaceutical companies and the acts of violence committed around the world. He would be the last person to be apathetic about violent drug dealers.

    Pro-Modi Indians consider the combination of his anti-Hindutva stances and his Islamic background as a sign of his tolerance of Islamic extremism… even though his very first episode is about Saudi Arabia, the world’s largest exporter of Islamic extremism.

    Anti-Modi Indians blame him for boosting BJP’s popularity right before the election… instead of actually blaming it on the Indians who are either supportive of the party or silent of the problems it poses. Blame the turds, NOT the ones who want to flush them away.

    Some Indians (I don’t know if they are pro or anti-Modi) also accuse him of being a Pakistani agent…. and their only “solid” evidence is his green and white hoodie he wore in the Indian cricket episode.

    That evidence is so ridiculous, I pray it is just a joke instead of an expression of sincere idiocy. Knowing humans, there is a high chance of it being sincere.

    Anti-Zionists think his silence on Israel is a sign of his cowardly submission to the US government… ignoring that the US government is the government he condemns the most; even his Saudi Arabia episode includes condemnation of the US government.

    It has been clear to me some of them are Muslims; they hate how he condemns his fellow Muslims a bit too often. Yes, he does shit on his fellow Muslims.

    But, he condemns those who commit religious extremism, which is a fucking good thing to do and you have to be an asshole to believe otherwise. He is unlike those so-called “reformers” who willingly throw their fellow believers under the bus just for the sake of being “palatable” to western reactionaries.

    If anything, he is all about empowerment as he often talks about American Muslims (and minorities in general) overcoming societal discriminations; his Netflix special heavily focused on this matter.

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    Obviously, my categories are grossly simplistic and inadequate. If I even bother to scroll down the comment sections more, I would have more well-thought-out categorisation.

    But still, I am surprised about the dearth of American right-wingers and Pro-Bolsonaro Brazilians on his videos’ comment sections.

    It is surprising because he often condemns the policies proposed and enacted by the GOP (even though the Dems are not spared from his condemnation) and he has made a video about the Brazilian Amazonian people, who loath Bolsonaro; many anti-Bolsonaro videos on Youtube, including John Oliver’s, suffer from unfavourable like-dislike ratio.

    This is not my first time witnessing a public figure’s detractors spewing accusations that are baseless and at odds with each other. But, this is the first time I am mindful of how pronounced the contradictions are.

    The fallacies are more frequently used while the prejudice and the ideological zealotry are more shamelessly naked. His haters are followers of the global trend.

    Even though I am not done with my “analysis” of him, I can confidently say one thing:

    The fact that he has ruffled the feathers of many parties and causing them to react irrationally shows he has done a really great job.

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