My own museum ideas

  • I hate how I grew up in a country where we have an extremely weak museum culture. Most of the museums I have visited are abroad.
  • As an adult, I am no longer into having shopping malls and theme parks as my sources of leisure. If there are no cultural attractions that intrigue in the slightest, I would rather stay at home and watch Youtube videos…
  • ….And browse Wikipedia in where I have spent a significant amount time searching for every article about any museums.

    Being a major time-waster that I am, I now have a few ideas for museums which are not even original. But, if I have the financial means (and the skill and will), I would definitely establish them.

    Museums of hot sauces and fermented seafood.

    That’s my Indonesian tastebud talking.

    I grew up eating dishes which use fermented seafood as ingredients and were often accompanied by chili sauces, or sambal as we call them.

    I have always loved the taste of dried and salted fish. I used to hate hot foods. But now, even though my heat tolerance is still low for Indonesian standard, I am addicted to the hot flavours.

    It would not be a problem if the museums are Indonesia-centric. As the country is gifted with biological and cultural diversity, the museums’ collections would always be huge, assuming they are well-funded and well-managed.

    I am also open to the ideas of making the museums more international either by making a section dedicated to foreign content or making the entire collection international.

    But, my goals for each version differ from one another.

    If the collection is entirely Indonesian, I would want to remind Indonesians about the biological and cultural richness of their country and how the richness should be appreciated and NOT taken for granted.

    If the collection is international, I would want to remind everyone that despite our differences, we still have many things in common and our cuisines are not that different once we take a deeper look.

    I choose foods because every human eats. We can survive without the ability to play music, to dance or to show any forms of craftsmanship. But, we can’t survive without foods. Eating is universal.

    And because I personally love to eat.

    I don’t know where I should locate the museums, though. If they are Indonesia-centric, should I locate them in Jakarta, university cities like Bandung or Jogjakarta, or places with low cultural appreciations like my hometown?

    If they are international, I would definitely locate them in various countries. But, which countries I also don’t know.

    And no, I am not going to think about “maintaining” the perishable collections.

    Museums of Hollywood propaganda

    I think the name explains it and I don’t have to elaborate on why it is needed in the first place and I am focusing on propaganda in American entertainment.

    When it comes to locations, I would definitely establish one in Los Angeles, the headquarters of the industry. Of course, as it is the lions’ den, there will be lots of backlashes. Not to mention that studio executives might have connections in the government.

    Very risky. But, worth the shot.

    But, I am not satisfied about LA is its only location. The question is where else should we locate them?

    Should we choose other major, big cities like NYC, Chicago and Houston? Should we choose the nation’s capital? Should we choose certain university towns where anti-establishment attitude are rampant? Or should we choose urban areas known for unquestioning and zealous patriotism?

    If we want to branch out to other countries, which ones should we choose? Should they be America’s closest allies like Canada and the UK? Do the international locations even matter?

    Museums of human rights violations

    I am not talking about any human rights violations. I am talking about ones that are still controversial due to the persisting historical denialism and whitewashing.

    I am talking about cases like Armenian genocide, the Jewish Holocaust, the expulsion of Palestinians from their own lands, the atrocities committed by Japan in WWII, the 1965 violent anti-Communist purge in Indonesia, history of racism in Australia and the Americas and the coups committed by the US against democratically-elected governments in Iran and Latin America which were replaced with dictatorships.

    You know, topics of light conversations.

    When it comes to locations, I have to make sure they are not in countries where such museums can get shut down by the authorities.

    But, even if censorship is not a problem, I have to make sure at least one case from the host country is included in the exhibition. I want to give the impression to visitors that there is no such thing as angelic countries.

    It is also the reason why I want the museum to be dedicated to many cases instead of just one. It is a lot harder than dedicating to a single case. But, it is worth it.

    I also have to make sure it is located in localities which have lots of foreign tourists and residents. Those localities may include cities like NYC, Sydney, London and even world-famous university towns like Oxford, Cambridge, Stanford and Grenoble.

    I don’t want the learning immersion being mostly exclusive to citizens of one country. Every person, regardless of their national backgrounds, must have the opportunity to experience it.

    Yadda yadda yadda

    It is obvious that my ideas are not only unoriginal, they are also fantastical. I will never create a small museum, let alone a few big ones.

    But, I just can’t help churning my own ideas, even in fields where I don’t have any expertise in. Basically, every field in existence.

    It is fun to write down my fantastical ideas.

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    The real American power…

    … Is actually soft.

    I am referring to the concept of “soft power”, by the way. And no, I am not sorry for that shitty introduction.

    I keep seeing and hearing comments made by zealously patriotic Americans about how their beloved country is respected by the world because of its hard power.

    It is true to a certain extent. If you are one of those non-Americans who easily fall for American exceptionalism and who love jerking off to images of real life violence which America is responsible for while simultaneously getting unprotected, rough butt sex from America, you would drool over its hard power.

    But, most non-Americans aren’t like that. When their governments do bow down to the US, they do so out of not wanting to get screwed on the world stage and NOT out of genuine respect.

    Basically, projections of hard power, more of than not, are a form of bullying. Bullying with dire global consequences.

    But, do you know what people all over the world love? American culture.

    Experts of international relations have been arguing how affinity to foreign cultures will lead us to have more positive views of their countries of origin.

    And because of my own life experiences (which I have to assert as entirely mine), this is something I am not surprised about.

    Despite their constant criticism (bashing) of the USA, many of my fellow non-Americans (in this case, they are mostly Indonesians) can’t get themselves to wish literal death upon the country.

    And they all have one thing in common: they openly enjoy American culture.

    Apart from buying foods from American fast food restaurants and cafes, they go to cinemas mostly for Hollywood flicks, pay for cable TV to Hollywood TV shows and pay to attend concerts of American musicians.

    How about the propaganda present in Hollywood films?

    From what I notice, even some of the most dimwitted folks I know can easily acknowledge the propagandistic content of their sources of entertainment.

    They know that they don’t easily fall for the infamously shameless American propaganda and they also feel Americans can entertain the world like no others. That’s why they are relatively unperturbed about it.

    Me personally? A bulk of my favourite entertainers and artists are Americans; without them, I would have nothing but contempt for the United States of America.

    Oh, and I should say ordinary Americans also contribute to their country’s positive image.

    The last time I was surrounded by Americans, it was almost two decades ago when I visited the US as a young boy. I don’t remember interacting much with the locals.

    But, if one sees the anecdotes posted by many non-Americans online, they frequently perceive the Americans as friendly, easy-going, open-minded, educated and charitable people and often seen as the antitheses of the US government (somewhat debatable).

    The more negative anecdotes are often the results of interacting with the stereotypically jingoistic, war-mongering, fear-mongering, bubble-dwelling and proudly anti-intellectual Americans.

    You know, Americans like Donald “Make America Great Again” Trump.

    Americans who think their Godawful, alpha-wannabe attitudes will gain them genuine respect from the world.

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    Feminists and anti-feminists: a common ground

    *puts on a mask*

    Some people support feminism because they believe it is the most effective way to coerce women into embracing western liberal values.

    They shame women who willingly embrace modest fashion, who willingly choose to become stay-at-home moms, who willingly choose to become abstinent and who willingly choose to become/stay religious.

    Their reasoning? They want to liberate women from the oppressive and medieval eastern values, especially the Islamic ones.

    Some people oppose feminism because they want to protect women from western values and coerce them to keep embracing eastern values, particularly the Islamic ones.

    They shame women who willingly show the slightest appearances of their skin, hair and bodily curves, who willingly choose to be unmarried and childless and who willingly choose to have active sex lives.

    Their reasoning? They want to liberate women from the oppressive and overtly-sexualised western liberal values.

    I have to a suggestion for both feminists and anti-feminists:

    Why don’t you just make peace with each other?

    I mean, it is quite obvious how you actually have something in common with each other: you are advocating to take women’s right to think and act for themselves under the pretense of liberating them.

    Wouldn’t your goals become easier to achieve when you find a common ground with the “others” and form a gigantic and influential alliance?

    Together, you can oppress women to the fullest.

    *takes off the mask*

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    I support colonialism…..

    *puts on mask*

    … because I am insecure little bitch of a citizen who needs extreme empowerment.

    There is nothing more gratifying than the country I unwillingly was born into invade foreign territories and pretend they are destined by the universe to be ours.

    It is even more gratifying that colonialism can also destroy the cultures and economies of the colonies. That way, they can suffer from extreme cultural and economic dependence on the motherlands, giving them even greater power projection on the world stage.

    And I hate how my beloved country of Indonesia is not harsh enough in its colonisation of the Papuans.

    The problem is Indonesia’s official motto is Bhinneka Tunggal Ika. Unity in diversity. It forces us to wear a pluralistic mask, hiding the real face of our country.

    Why can’t we be just like the Americans, the English, the French and the Japanese in the old days? If they keep doing what they were doing, so-called “languages” like Hawaiian, Gaelic, Basque and Ainu would cease to exist and the world would be a better place.

    If it were my call, I would do my best to annihilate those savage Papuan “cultures” by punishing anyone who dare to embrace them and force the embrace of Javanese culture, which is inherently noble, wonderfully anti-egalitarian and is definitely a real, proper culture.

    Not only that, I would also encourage skin bleaching and plastic surgery to the Papuans who have the dignity of not wanting to be monkeys.

    Seriously, if people call you monkeys, it’s your fault for looking like ones.

    I also hate how the Papuan provinces are given political autonomy. Literally the only provinces that deserve it are the ones who embrace Javanese supremacy!

    If anything, not only I oppose the transfer of power, I also believe the Papuans should be stripped of their power to vote!

    As they are subhumans, they are unable to make any good decisions. Therefore, they should not be allowed to vote for the presidents and MPs!

    Heck, I even believe they should not choose their own mayors! Everything has to be entirely up to Jakarta!

    Of course, I have to be fair as well.

    Despite my criticism, I also have to praise my country for making Papuans too economically dependent on western Indonesia, to the point they have to survive the high living cost with their pathetically meagre incomes.

    Finally and most importantly, I also love how the government has successfully bred a morally-corrupt, violent and historically-illiterate citizenry.

    When Papuans committed riots after a racist incident, it did not take much time for many Indonesians to condemned them for rioting and not spending a single second on condemning the racists.

    Basically, they thought the Papuans were rioting for no good reasons. Hopefully, many probably still do.

    If I think about it, the pluralistic official motto is a great tool for Indonesia’s colonialism of western Papua.

    Most of us believe the official motto is the reflection of reality instead of a mere guidance. As a result, we see our country as the most tolerant and peaceful in the world despite its glaring bouts of sectarian violence.

    Not only that, we also fool ourselves into believing the falsehood about how Papuans prayed to be rescued by the peaceful and tolerant Indonesians from the colonialist and racist Dutch monsters, even though annexation can be executed without the people’s consent and is a common method used by colonial and imperial powers.

    We greatly mistreat the Papuans and then we gaslight them into believing that the mistreatments are societal well-being. Well-being they supposedly would have never enjoyed if they remain as Dutch subjects.

    While I hate how we are too soft on them, I have to acknowledge that we have been giving them the deserving fingers for decades.

    Now, it is time for us to give even more fingers.

    *takes off the mask*

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    “Youtube’s not good enough!”

    Disregard of privacy. Hatred of change. Entitled attitude. Immaturity.

    Those are the dark traits that people familiar with Youtube cultures associate with Youtube fandoms. They are common knowledges.

    But, I am surprised most people (seemingly) have yet to notice another frustrating trait about the fandoms: obsession with giant corporate media networks.

    On some occasions, you can see fans wondering why their beloved idols are not signing up to those corporations.

    And that irks me every time.

    One thing for sure is they don’t know how the media works. They probably think those giant entities provide creators with not only big platforms and big funding, but also complete creative freedom.

    You know, a make-believe.

    They don’t know how creators are also responsible to the network executives. If they deem the creations unprofitable or ideologically “deviant”, those creations would not even survive the pre-production stage.

    As bad as Youtube can be, its content creators have freedom that many of theirs counterparts in other platforms can only dream of.

    Your videos can be taken down for violating guidelines (or falsely and/or unfairly accused of doing so). But, they can never be taken down solely for low viewerships or ideological deviance.

    In fact, Youtube is full of creators who espouse controversial opinions regarding humanity and who scathingly condemn the establishments. Not to mention there is an abundance of creators like Filthy Frank whose style described by Nerd City as “post-ironic” (Click and go straight to 16:45).

    But, this is not even the most frustrating about the fandoms’ wish. Their elitist attitude is.

    Why is Youtube not good enough?

    Of course, if a more stable source of income is the argument, then I am all for it. Youtubers have been struggling gaining profits from their videos in recent years.

    But, that’s not what fans want; from all of the ones who have expressed such desire, I only encountered one that mentioned income. One.

    In fact, not only it is the only clearly-elucidated reason that I encountered, fans also know Youtubers can either get direct sponsorships, donations through Patreon, or both. Seemingly, they don’t have any reasons to make such demand.

    While I cannot have make any concrete (and objective) conclusions, I can tell you about the mentality of Youtube fandoms.

    They suffer from inferiority complex.

    I am not talking about how their idols are talentless or something; just like fans of traditional idols, many Youtube fans certainly see theirs as talented. I am talking about how they see Youtube as a career: for them, it is not a real job.

    Admittedly, it is extremely rare for me to see those comments. But, I do have encountered fans who genuinely believe the jobs of their idols are not “real jobs”. In fact, they seem happy if their idols have jobs other than making Youtube videos.

    What are “real jobs”, anyway?

  • If a job gives us complete or near independence, is considered a novelty and disregarded by the establishment, and/or does not offer a stable source of income, then it would not be considered as “real”.
  • I reach to such conclusion because, from what I observe, the jobs labelled as “not real” often possess some or all of those characteristics. I have never heard people calling blue collar jobs and most white ones as “not real”.

    From this observation, I already have a clear imagination of what some Youtube fans are thinking:

    Yes, we know our favourite Youtubers are creators who rise to the top despite the independence from the old-age establishment. And that what makes them unique.

    But, because of that same reason, we fans feel insecure about ourselves because there is no prestige in admiring those who are not parts of the establishment.

    Therefore, it would be selfish of our idols to stay independent and refuse to become corporate slaves.

    Yes, I know my assumption is plagued with meanness and exaggeration… and also dishonesty considering how Youtube also has its own (younger and less powerful) establishments which are divided into different linguistic and/or national categories.

    But, whether those fans are aware of how the media works or not, you have to admit the feeling of inferiority is there.

    If it isn’t, why would they be aroused by the prospect of their favourite Youtubers branching out to the more conventional yet not-always-rewarding realms?

    If it isn’t, why aren’t they content about idolising those who make a living solely out of Youtube?

    I am on the opinion that believes Youtubers need to mature in order to bring their communities forward.

    But, I believe the fandoms’ lack of self-assurance is also a major hindrance to the progress as they refuse to uncover the platform’s fullest potentials.

    It is not far-fetched to say the collective feeling of insecurity is one of Youtube’s biggest enemies.

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    My favourite sarcastic Youtubers

    They are Boyoung AKA Bubbly, Chris Broad AKA Abroad in Japan, Felix Kjellberg AKA Pewdiepie, Joey Bizinger AKA The Anime Man, and Terry Song AKA TerryTV.

    Unsurprisingly, their sarcasm often go over people’s heads and it leads to some viewers -especially the new ones- to take their words seriously. With Joey, he loves being sarcastic in his QnA video, consequentially frustrating even his long-time viewers who wish their questions are answered properly.

    Also unsurprisingly, they also make Youtube commentaries from time to time, but not too often to the point where their channels become commentary ones. Consequentially, their contents have satirical inclination at times.

    After watching them for years, I just realise another similarity between them that I didn’t notice before: I don’t find their annoying actions to be annoying.

    Let me explain that extremely vague statement.

    How they carry themselves on the platform is more or less similar to how their colleagues do it. When other Youtubers -including ones I am fans of- commit those certain actions, I am annoyed. But, when my favourite sarcastic Youtubers are the ones who commit them, I am strangely not.

    Yeah, still vague.

    Let me start straight away with the clickbaits.

    Apart from Chris, all of those Youtubers I mentioned have embraced clickbaits in their video titles and thumbnails, albeit with varying level of intensity.

    Boyoung and Terry prefer relatively subdued clickbaits (which suit their subdued sarcasm), Felix prefers to create bizarre ones (which suit his bizarre content) and Joey is the most shameless as he utilises nakedly clickbaity titles (which suit his snarky tendency); they remind me of the ones used by so-called “news” media outlets.

    With Chris, I notice he loves re-using the same saccharine stock background music over and over again. But, it is not unlike the one used by many Youtubers.

    It is more similar to the one used by American so-called “factual” TV programming; however, it still exude the same sugary, feel-good atmosphere. In his Journey Across Japan series, he used upbeat 80’s sounding theme song that -in my opinion- emits false optimism and pseudo-energy.

    I may be wrong. But, I do notice that -unlike the ones of Felix and many other Youtubers- the online personas of Boyoung and Terry are immensely similar to their true personalities.

    Their speaking intonations barely change and so do their body languages… apart from their eyes and mouths; as weird as it sounds, it’s the only way for me to determine whether they are in characters or not. Took me a long time to notice those details.

    When Youtubers (and humans in general) do those things, I often perceive them as attention-seeking and fake individuals whose purpose in life is to look good instead of embracing their authentic selves, just for the sake of instant fame and fortune.

    And yet, I am not annoyed when the Youtubers I am fans of commit those “sins”…. and the reason for that lies on the title.

    Sarcasm is something in which everything that is being expressed is the opposite of their literal meanings. Not the most articulate elucidation. But, you get the idea.

    Because of the constant stream of sarcasm, I am not predisposed to take those content creators too seriously, unless when morality is involved.

    It also helps that they love to sprinkle a dose of self-deprecation here and there; I personally interpret it as their turndown to stand on high pedestals.

    As a result, I don’t find their commentaries to be self-righteous and hypocritical whatsoever. The ones who think so are probably those who barely watch their videos.

    Even though they don’t make much of them, I believers their commentaries are more superior than the ones spewed by most commentary Youtubers, who mostly appeal to emotions instead of reasons and don’t always practice what they preach.

    Of course, I also have to admit I am being biased here. Not only I am a fan of those Youtubers, I am also a big fan of sarcasm; I regard it as one of the best tools to deal with those pesky humans and to express my anger. Way more satisfying than vandalising properties.

    Oh, and I initially wanted to include Duncan Pain AKA PDR-San to the list.

    Like them, he is also known for his sarcasm which does not always bode well to some people and and being self-deprecating.

    But, he is also different from them because not only he has made even more commentaries (making his content more satirical in comparison), I don’t believe he is “guilty” of the “sins” I mentioned above. As I have missed many of his videos recently, I may be wrong.

    I still mention him anyway because if he is indeed “guilty” of them, I would also not be annoyed.

    And because I am a fan, of course.

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    Different types of Hasan Minhaj haters

    Yes, I am going to talk about his haters before I talk about him because of two simple reasons: 1. I am not done analysing him; 2. His haters are annoyingly hilarious to behold.

    Now, where do I start?

    Well, so far, I can place them into three separate boxes: Pro-Duterte Filipinos, pro-Modi and anti-Modi Indians and anti-Zionists, some of whom may be Muslims.

    Those Filipinos accuse him of trying to make their country look bad and India looks good in comparison. They also accuse him of trivialising the deaths caused by drug dealers and gang members.

    Those Indians accuse him of being a Pakistani agent and an Islamic extremist apologist. The Modi detractors among them think he makes the BJP even more powerful.

    Those anti-Zionists accuse him of not making an episode on Israel simply because he fears the pro-Israel US government.

    Some of the anti-Zionists also think he hates his fellow Muslims because he has shat too many times on his fellow Muslims.

    If you actually know him, you would know how stupid those accusations sound.

    Those particular Filipinos probably think his Indian lineage proves his anti-Filipino and pro-India biases.

    Not only it is racist, they also willfully ignore that he has talked more about India in his show than he has about the Philippines.

    I also don’t know how they think “tarnishing” their country’s international image instantly makes India’s looks good. Unless you have lived in both countries, you would NEVER instinctively compare the two with each other. They neither share the same roots nor they are physically side by side. And they certainly are not major rivals.

    He also has made episodes (plural) about sleazy pharmaceutical companies and the acts of violence committed around the world. He would be the last person to be apathetic about violent drug dealers.

    Pro-Modi Indians consider the combination of his anti-Hindutva stances and his Islamic background as a sign of his tolerance of Islamic extremism… even though his very first episode is about Saudi Arabia, the world’s largest exporter of Islamic extremism.

    Anti-Modi Indians blame him for boosting BJP’s popularity right before the election… instead of actually blaming it on the Indians who are either supportive of the party or silent of the problems it poses. Blame the turds, NOT the ones who want to flush them away.

    Some Indians (I don’t know if they are pro or anti-Modi) also accuse him of being a Pakistani agent…. and their only “solid” evidence is his green and white hoodie he wore in the Indian cricket episode.

    That evidence is so ridiculous, I pray it is just a joke instead of an expression of sincere idiocy. Knowing humans, there is a high chance of it being sincere.

    Anti-Zionists think his silence on Israel is a sign of his cowardly submission to the US government… ignoring that the US government is the government he condemns the most; even his Saudi Arabia episode includes condemnation of the US government.

    It has been clear to me some of them are Muslims; they hate how he condemns his fellow Muslims a bit too often. Yes, he does shit on his fellow Muslims.

    But, he condemns those who commit religious extremism, which is a fucking good thing to do and you have to be an asshole to believe otherwise. He is unlike those so-called “reformers” who willingly throw their fellow believers under the bus just for the sake of being “palatable” to western reactionaries.

    If anything, he is all about empowerment as he often talks about American Muslims (and minorities in general) overcoming societal discriminations; his Netflix special heavily focused on this matter.

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    Obviously, my categories are grossly simplistic and inadequate. If I even bother to scroll down the comment sections more, I would have more well-thought-out categorisation.

    But still, I am surprised about the dearth of American right-wingers and Pro-Bolsonaro Brazilians on his videos’ comment sections.

    It is surprising because he often condemns the policies proposed and enacted by the GOP (even though the Dems are not spared from his condemnation) and he has made a video about the Brazilian Amazonian people, who loath Bolsonaro; many anti-Bolsonaro videos on Youtube, including John Oliver’s, suffer from unfavourable like-dislike ratio.

    This is not my first time witnessing a public figure’s detractors spewing accusations that are baseless and at odds with each other. But, this is the first time I am mindful of how pronounced the contradictions are.

    The fallacies are more frequently used while the prejudice and the ideological zealotry are more shamelessly naked. His haters are followers of the global trend.

    Even though I am not done with my “analysis” of him, I can confidently say one thing:

    The fact that he has ruffled the feathers of many parties and causing them to react irrationally shows he has done a really great job.

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    Are Marvel films “cinema”? (And a long rant about snobs)

     

    Yes, they are. And yes, I am late to the party.

    My short answer should be the end of the story. But, I can’t help myself from ranting and letting cretins ruining my days.

    Yes, it is “days”. Plural.

    On Facebook, a land where intelligent discourses thrive, I made posts on multiple pages and groups on why I disagree with Scorsese, Coppola and their defenders.

    Surprisingly, my comments were more well-received than I expected. It feels nice to know I am not alone with my frustration.

    Unsurprisingly, I also encountered detractors -two to be exact- and their overall counter argument is something I have seen read and heard before. Yet, it still manages to ruffle my feathers.

    Basically, they told me that instead of being “unfairly dismissive”, I should eat the “humble pie” (one of them said that exact term), acknowledge that my taste is shit, acknowledge that my opinions regarding cinema are and will always be inherently less worthy than the ones regurgitated by award-winning directors and acknowledge that I am being pretentious for thinking mine can be better than theirs.

    Five reasons why it is a bullshit argument.

    Reason one:

    Awards are not always what we think they are.

    They do not always indicate appreciation of merits. They can also be used as indicators of how much certain individuals and their creations are beloved by the establishment.

    You cannot expect me to believe they are always about merits when James Cameron’s Avatar, a film which success was entirely dependent on special effects and 3D theatre presentations, was nominated for Best Picture at the Oscars.

    Reason two:

    It advocates status-worshipping.

    Surely, if one wants to determine the merit of an opinion, the most important thing is to analyse the reasoning and evidences being used instead getting fixated on how much the establishment loves the opinion maker.

    It is not anti-intellectual to simply question the so-called experts. If anything, it ensures they are being held to the highest standard.

    Oh, and if you encounter the “Marvel films are not cinema” remark online and you don’t know who said it, you would not assume it was made by intellectual adults hardened by life experiences.

    No, you would assume it was made by immature and pretentious snot-nosed teenagers who think their tastes are the most sophisticated ones.

    In fact, it is way less understandable when a adult does that. You would think life experiences will make her/him more mature and reasonable.

    Speaking about pretentiousness…

    Reason three:

    Those two snobs don’t know what pretension is.

    I don’t have my own personal definition of what cinema is as I choose to stick with the most objective one available: the production and distribution of films.

    As much as I despise films like Michael Bay’s and Batman vs Superman, I have to acknowledge them as parts of the cinema, just like my favourite films are.

    It is arrogant for anyone -Scorsese and Coppola included- to think their subjective definitions of certain words are the only right ones.

    They are trying to convince us that their unsound and petulant remarks are more profound than they really are. They are trying to convince us that among billions of human beings living right now, people like them are the only ones who “get” cinema.

    In short, they are fucking pretentious.

    I, on other hand, try my best to be as objective as possible by not letting my hatred of certain works hinder my judgement and by not pretending my taste is best.

    One of my detractors also nitpicked about my wording. He said it was pretentious of me to use the word “one” as a pronoun.

    When one realises one does not have any good comebacks, one can simply retaliated by splitting hair in front of one’s opponent.

    Reason four:

    They insist on thinking in boxes.

    It has been ingrained in their minds that loving films like Marvel’s is an absolute sign of mediocre taste. As I can enjoy them, they perceive me as thoroughly unsophisticated.

    But, I also told them about my love of Andrei Tarkovsky, Ingmar Bergman and Stanley Kubrick, three directors who are frequently considered as among the best by film snobs.

    So, if one takes their words as the truth, it means I have a really good taste in cinema.

    Well, not to my detractors.

    Even with my repeated claims that I love those directors, my detractors kept pretending I could only love Marvel and Marvel only.

    Their black and white mindset cannot comprehend how one’s taste in anything can be difficult or even impossible to pigeonhole.

    If they immediately acknowledged my love of those directors, they would have to accept that tastes can be complex. But, as they insisted on thinking in boxes, they ignored my statement and kept claiming their non-existing aesthetic superiority.

    One of them eventually did acknowledge that I am a fan of those directors. But, even then, it did not stop him from using the condescending tone.

    For him, it does not matter if most of my favourite films are arthouse. Love just one Marvel film and I will ruin the whole batch.

    He probably thinks taste is literally measurable… like a literal, physically-embodied chemical which can literally be poisonous.

    They actually make me proud of myself for having unpredictable and relatively complex taste.

    Yes, I used the word “complex” to describe myself.

    Reason five:

    Where is the fucking humble pie?

    If they wanted me to eat the bad-tasting yet nutritious humble pies, they had to painstakingly make one for me.

    Instead, they took a huge dump on the dining table and claimed their faeces is the humble pie; the refusal to consume is a sign of one’s infantility.

    When I kept refusing to do, they started shoving their faeces into my mouth. Unsurprisingly (and ideally), I retaliated by throwing their shit back to their faces.

    When they showed no signs of stopping, I started to take a dump myself and do the same thing.

    Interestingly, when I said the arrogance of snobs put off others from even considering to try something highbrow, my detractors dismissed it.

    They said it never happens and I am just making excuses for people to be comfortable with their aesthetic mediocrity.

    Except, it does happen all the time.

    I have seen people defecating on certain works even though they have yet to experience them. The behaviours of the fans are considered more than enough to determine the quality of those works.

    I have seen people hating on Harry Potter, Steven Universe and anime solely because of their toxic fandoms. And yes, I have seen people hating on fine arts and quality entertainment because of the exact same reason.

    Yes, what I just said are anecdotes. But, at least, I tried to make my claims sound more believable.

    My detractors, on the other hand, didn’t make the efforts. Instead of trying to give me evidences to counter my claim, they simply dismissed it.

    If anything, the (thankfully not literal) excrement fight I just described above actually supports my claim. The evidence that is against them was displayed right on their screens.

    Their arrogance begets my arrogance.

    How can they expect me to eat humble pie when they have never eaten one themselves?

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    Yes, I know I should not let their snobbery ruined my days. I also hate that I ended up resorting to arrogance as well. Even though I am way more reasonable than those two, I believe there is no winner in this fight.

    But, cultural snobbery has been frustrating me for years because of the disservice they have committed against the masses.

    I would love for films like Andrei Tarkovsky and Ingmar Bergman’s to be even more popular. I would love them to greatly influence film industries in the incoming years.

    I would love if the creative industries of the incoming years allow idealism, artistry and experimentation to thrive more.

    I would love if the masses are starting to think more critically about the entertainment they enjoy and stop associating popularity with quality.

    But, thanks to those snobs, my desires will always be make-believes.

    Thanks to them, the masses will keep on associating mindless escapism with “humility of the ordinary people” and intellectually-inclined admiration with “vanity of the elites”.

    Those beliefs are obviously not true. The presence of humility and vanity does not correlate with one’s standing in a society. But, as those snobs prioritise their egos over actually enlightening others, they unwittingly perpetuate those falsehoods.

    They shoot my feet, accuse me of committing self-harm, shoot their own feet and accuse others of violence.

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    A childhood treasure I didn’t know having

    When I was a toddler, I remember watching feature films from those gigantic laser discs and one of my favourite films to watch was Disney’s Fantasia.

    The original one, NOT the so-so sequel.

    Back then, I didn’t try to comprehend the plots. I was simply mesmerised by the beautiful colours and shapes, adorned with harmonious classical music. It felt like I was watching a magically-animated painting, accompanied by a live musical performance.

    Along with my beloved encyclopedias, I credit the film for making my childhood a colourful and vibrant life chapter where even the sky was not a limit. It felt like every inch of the universe was worthy to unearth.

    When I started attending primary school, VCDs had become widespread. I started to watch more movies on the smaller discs and I started neglecting their bulkier predecessors. So, between pre-school and adulthood, I forgot about the existence of the film.

    Yikes.

    I managed to watch it again when I was eighteen. As I already started becoming a snobby cultural critic, I started to appreciate its merit.

    Even though I don’t think it was an extraordinarily groundbreaking film*, it still effortlessly stands out among many Hollywood flicks. To this day, I am still surprised that one of my childhood favourites is of high quality. Most of them tend to be shit.

    And, because of its uniqueness, it shapes my taste in the arts and entertainment as an adult.

    Magically, absurdly and subconsciously realistic

    The segments that feature abstract animations are my very first exposures to abstract art. Now, I am one of those weirdos who genuinely enjoy staring at abstract paintings.

    I don’t care about the lack of coherent narrative. As long as the combination of shapes and colours impress me, I will consider the paintings beautiful regardless.

    I also have to credit it for inspiring me to love surrealism and magical realism, making me attracted to the weird and inexplicably fantastical.

    Nowadays, some of my favourite films include ones with strong metaphysical themes and/or ones that portray the inexplicable. They include Stanley Kubrick’s 2001 and The Shining and much of Andrei Tarkovsky’s works.

    While Fantasia is of neither genre, its sublimely fantastical depictions of natural phenomena certainly help opening the path.

    And it is certainly metaphysical.

    Unhinged sophistication

    When I listened to Igor Stravinsky’s Rite of Spring supposedly for the first time, it felt like an inexplicable surge of nostalgia ran through my veins, as if I had heard it before. It turned out I had: it is one of the soundtracks of Fantasia!

    My early exposure to the modernist composition possibly influenced my taste in classical music. I prefer the more stylistically-eclectic and/or “unhinged” newer works -like ones by Stravinsky (obviously) , George Gershwin and John Cooliged Adams- over the older ones, many of which I find a bit too saccharine.

    In fact, I now love to complain about how films, especially fantastical ones, are too dependent on cliche-sounding orchestral music and are too afraid to utilise more ambient, more eclectic and more “untraditional” compositions.

    The lovely dread

    Chernabog is probably one of my first exposures to “scary entertainment”, even though I was never terrified by it. Again, I was too busy mesmerised by the beautiful animation.

    Beautifully haunting and sinister animation, showcasing something one can describe as a symbolic representation of the dark side of humanity.

    As an adult, I have a weird thing for entertainment with ominous atmosphere, as in you feel scared even though nothing scary is happening on-screen. You know, actual horror instead of cheap jump scares.

    I am not a fan of the show Criminal Minds due to its dehumanising depictions of mental illness sufferers. But, I do love the episode where the heroes unwittingly cooperate with a police station where virtually every officer is corrupt; it genuinely feels like they can be ambushed at any time. It feels like real life horror.

    Horror is not about what you explicitly show, it is about the feeling of terror you induce on your audience.

    Connecting non-existing dots

    Admittedly, what I just said do sound far-fetched.

    It is indeed absurd to claim one feature film dictates my entire taste as an adult. There are many things that can be taken account as the influencing factors.

    As I hinted in the beginning, I also read encyclopedias frequently as a young child and some of them not only discuss “weird” paintings and sculptures, they also display the photos. Basically, they partook in the exposure.

    One of my favourite musicians is Chrisye, an Indonesian Pop singer whose early works reek influence from Genesis -a Progressive Rock band- and the band’s genre does sound “unhinged” to the “untrained” ears. After discovering that particular musical style, I ended up craving for more “weird” sounds.

    And those films that I love, I also have to credit my time wasted on Wikipedia and my Media Studies classes as contributing factors; I would not have heard of Andrei Tarkovsky if it wasn’t for the former and I would not have watched a single film from West Africa if it wasn’t for the latter.

    My love of ominous entertainment may also be rooted by many years of watching horror films and eventually ended up frustrated with the excessive amount of cheap jump scares, craving for actual feeling of terror.

    Oh, and don’t forget about my personality. Our personalities not only dictate how we interact with each other, they also dictate what we love and hate.

    I am a weirdo and have been called such since forever.

    Therefore, my current taste can still come to being even without Fantasia in my life.

    But, still…

    As I said before, the film is a huge part of my childhood. While it is clearly not the only factor that shapes my taste, it certainly is a major one.

    It certainly accelerates its formation and it certainly aggravated its potency.

    Without the film, it would probably take me a much longer time to love the things I now love.

    *I refuse to call Fantasia a groundbreaking film because I don’t think it is.

    Yes, it certainly has a relatively unusual approach in regards to moving image narratives and may be unappealing for those who want more glaring expositions, who think escapism equals quality and who cannot give more damn about visual artistry.

    But, if you dig deeper into the history of cinema, you would see there were already ground-breaking cinema movements -like surrealism and Italian futurism- that predated the film’s existence.

    And works of those genres are bizarre and incomprehensible for the masses. Not matter how weird Fantasia is, I still think it is relatively comprehensible.

    If anything, its audio and visual aesthetics were already conventional at the time of its release.

    The risk-taking was indeed high. But, it was not that high.

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    Religious clothing and secularism

    I’ll be straight forward: I disagree with the ban of religious attire in certain public areas and I disagree for two reasons.

    Reason one: the blurred boundary between cultures and religion.

    Take holidays for example. Christmas is a Christian (originally Pagan) festival celebrated by staunch atheists in the western world and the Laïcité-embracing French government, despite its prevailing spiritual significance among devoted Christians. Halloween, another holiday of Pagan/Christian origin, is also celebrated by secular and religious westerners alike. Nowruz is a Zoroastrian holiday celebrated by Persians all over the world, including the ones living in Afghanistan and Iran, despite its prevailing spiritual significance among Zoroastrians.

    In much of the world, we name the planets (and one former planet) in our solar system based on Roman Gods; NASA even has the Project Apollo, which is named after the Roman God. Garuda is a creature in Hindu mythology and yet it is one of the national symbols of Indonesia, a predominantly-Muslim country; in fact, none of of the country’s national symbols are of Islamic origin.

    When it comes to headcovering, many people associate it with Islamic dress. But, everyone with basic religious literacy knows it is NOT an exclusively Islamic thing; it has been used for non-Islamic religious rituals and even for entirely cultural reasons! That’s what both Islamophobes and zealous Muslims refuse to acknowledge.

    Reason two: it is just fucking clothes, for fuck’s sake!

    Okay, I don’t actually believe that.

    I do think what we wear matters depending on the occasions as we can emit impressions, both accurate and inaccurate, to others without uttering a single word. For example: one would never visit a funeral while adorned in party costumes; if one wants to be perceived positively, wear the proper outfit. One must always be mindful of one’s own image. While I try not to judge how people dress, I cannot expect them to do the same.

    But, some people don’t share my mindset. Instead, they genuinely believe our outfits are literally everything and therefore, it is acceptable for them to judge a person’s dignity and even morality solely based on how he/she dresses. I disagree with it because I have an approach called ‘living in reality’.

    Suits and ties are often associated with dignity, despite the fact that sleazy TV journalists, politicians, lawyers and businessmen are almost always seen wearing them. If I have to bring up Muslims, I have met ones who genuinely believe their adherence to strict supposedly religiously-obligated dress codes make them morally superior than me, despite the fact that they are anything but moral as shown by their supports of discrimination and their support of/unwillingness to condemn extremism.

    In the context of state secularism, it is often believed that donning religious attire is an indication of one’s commitment to put one’s religion above everything else. I have met hijabi Muslim women who think Islam should be their countries’ only state religion and their fellow Muslims should be given more rights than the non-Muslims.

    But, I also have met hijabi women who are either apathetic about the topic of state secularism OR are in favour of governance that respect the society’s plurality. I also have met non-hijabi women who are apathetic about this issue and do not see anything wrong with the presence of religions in public schools. In fact, I know one Indonesian Muslim woman who hates hijab and supports the policy of banning hijab… who also refuse to vote for non-Muslim candidates in the recent Indonesian parliamentary election.

    Admittedly, this argument of mine won’t convince many people. Not only it is very anecdotal (and we live in a world where we even don’t take peer-reviewed researchers seriously), it is also challenges the prevailing idea of state secularism.

    It challenges the notion that appearing secular is the same as actually being secular. It challenges the notion that secularism can be achieved simply by removing religiosity out of sight. It challenges the idea that appearances can or should be taken at face value.

    France, a place where religious attires are banned from public schools and government buildings, is arguably the most (in)famous secular state and often hailed as a model of state secularism. Yet, it also gives exemptions to the Alsace region, which funds religious activities of Calvinists, Lutherans, Catholics and religious Jews and makes religious classes compulsory.

    Pre-Erdogan Turkey officially banned hijab in certain places… and yet it already had Religious Affairs Directorate which controlled mosques and appointed Imams, who were officially recognised as civil servants. Iran under the so-called extremely-secular anti-hijab Pahlavi dynasty also had similar approaches regarding religious affairs.

    So much for Laïcité, eh?

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