Just another of my very late film ‘review’.
Warning: while I won’t give details about the plot, this essay may still be a spoiler for you.
I don’t know how I ended up watching one of Makoto Shinkai’s works. I am not an avid fan of Japanese animation; most of the ones I have watched, like Doraemon and Ninja Hattori, were unavoidable in the first place as they were staples of Indonesia’s Sunday morning broadcast.
In fact, I don’t remember how I first heard about Your Name. Maybe it was the film poster in a cinema near my house and I was intrigued by its simplistic title and visually-conveyed ethereality. Maybe I was introduced to it by The Anime Man, whom I watch solely for his sarcasm and his ways of breaking down storytelling. Either way, it lingered in my mind for some time before I decided to watch it… and I am glad I did!
Visually, it is a very pretty animation! The animators made sure that even the backdrops are being held to a high aesthetic standard. But then, this is my first Makoto Shinkai’s work; I don’t know if this is a trademark of his. The beauty, while deeply appreciated, is not unforeseeable. The poster easily gave it away.
The story’s complexity, on the other hand, was surprising to me. The fairly intricate metaphysicas is not something one expects from one of the most highest-grossing traditionally-animated films, Japanese animated films and non-Anglophone films of all time. Maybe it’s like Life of Pi all over again, where the audience was too fixated on the visuals and ignoring the subject matters altogether.
Or maybe, they are smitten by how the film conveys emotions to the point where they become personally affected themselves. At least, that’s the case with me.
Because of it, I became an emotional wreck for days; one of the other times I fell into such bad shape was the first time I watched Jacksepticeye’s A Beginner’s Guide playthrough. I have had my share of emotional arts and entertainment works and yet not even the masterly creations of the likes of Bergman and Tarkovsky trigger a surge of neurochemicals in me.
One may go to a conclusion that Makoto Shinkai is an EQ genius who experience feelings like no other! Bergman, Tarkovsky and the rest of mankind should learn from him if they want to become more emotionally-intelligent human beings!
Obviously, what I just said was stupid. He may possess a high EQ. But, I doubt his is the highest ever. One thing I am certain about is his masterfully immersive storytelling, seamlessly taking us the characters’ extramundane world. But still, that explanation feels unsatisfactory for me.
For me (and presumably some people), the answer is a lot simpler. While immersiveness is indeed a factor for the sense of intimacy, it is not the be-all and end-all. Ultimately, the characters must be relatable to you.
Your Name chronicles the lives of two teenagers living in two different places and time who switch bodies. While the relationship was initially hostile, they end up seeing each other as their other halves whom they cannot imagine live without. Their bond is so strong, they still possess a sense of inexplicable longing after losing any pertinent memories. Years later, when they finally meet face-to-face, they quickly form a bond without remembering each other’s names. That facet of the characters’ life is very relatable to me.
Unless you – a nasty person that only exist in my head – are dumb enough to take the story literally and are accusing me of living a fantasy life or you are unaware of the age we are living in, there is a (small) chance you will understand why the film is personal to me: the internet.
Since I became active on Facebook, I started to have lots deep interactions with my fellow human beings. In fact, I met my first real best friends on the site! I can interact with them for hours and hours and I will never get bored by the wonderfully genuine human connections!
To make it even more delightful, almost all of my interactions involve internet users whose homelands are distinct from mine. I can form bonds with human beings in spite of their distinct environments, in spite of the terrestrially great distances, in spite of them living in very different time zones!
Of course, the reactionaries will fiercely disagree with me. They believe social interactions inherently require corporeal presence. For them, the lack of corporeal presence instantly invalidates every single reciprocity that has occured, no matter how genuine they are. Any person who possesses an open-mind will easily recognise how retarded such mentality is.
Let’s dissect the term ‘social interaction’. ‘Social’ means anything related to ‘society’, it is derived from the Latin word ‘socius’ which means ‘allied’ (I think). ‘Interaction’ is derived from ‘inter’ and ‘action’; basically, it is an action that directly influences every party involved.
If one lives in a mostly analogue world, one could be forgiven for still retaining such mentality. Of course, that world has become the past! Our lives have been heavily influenced by digitalisation. The gravity of social media today is comparable to the gravity of sexual repression in Indonesia.
Surely, after witnessing one of the great alteration of human foundations, the long-established meanings of ‘social’, society’, ‘interaction’ and ‘friends’ have inevitably become obsolete. So, sooner or later, we have to rethink the way we decipher them. For me, it sounds more reasonable than acting like grumpy, soon-to-die dinosaurs who hate how prejudice is no longer cool.
No, I am not dismissing the importance of offline relationships. Humans (still) live in an earthly realm. I (grudgingly) acknowledge that humanity cannot exist without physical contacts. Even if we don’t care about having friends and partners, we still need to buy groceries, to study, to work. Internet hermits like me need to go offline from time to time if we want to sustain ourselves.
But, traditionalists also have to acknowledge the strengths of online interaction. The cyber space gives us the freedom to be free from intrusiveness and toxicity, eases our efforts to search for like-minded individuals and, in spite of our current circumstances, still provides us the platform to meet anyone, no matter what their upbringings are and no matter where they live! Like it or not, ‘traditional’ interactions lack any of those advantages!
Now, about the quality of relationships: how does one determine it? Well, I believe emotional mutualism (I don’t know if it’s a real term) and sincerity are crucial determinants (people-pleasers will disapprove of the latter). While they are obviously my personal touchstones, I am confident some will agree with mine. And yes, I can say my Facebook friendships fulfill the requirements!
My interaction with fellow homo sapiens is frequently laced with deceit, vanity and unyielding distaste of liberty. But, thanks to the benefits I mentioned two paragraphs ago, they occur significantly far less in my internet social circle. Based on my anecdotes (as that’s the only thing I can provide), not only online relationships can be as good as the offline ones, they have the prospect to be even better!
I believe that’s the reason why I find Your Name very personal. No, I don’t think the story is a deliberate allegory of our digitalised world. But, the tale of a human bonding that transcends space and time will surely have an impact on someone whose personal relationships are almost entirely established in the cyber world.
I can’t say anything about other people who have watched it. How many of them were emotionally affected by the watching experience? For those who were, why? If the reason had nothing to do with human bonding, I genuinely would like to know what that reason is.
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