….And browse Wikipedia in where I have spent a significant amount time searching for every article about any museums.
Being a major time-waster that I am, I now have a few ideas for museums which are not even original. But, if I have the financial means (and the skill and will), I would definitely establish them.
Museums of hot sauces and fermented seafood.
That’s my Indonesian tastebud talking.
I grew up eating dishes which use fermented seafood as ingredients and were often accompanied by chili sauces, or sambal as we call them.
I have always loved the taste of dried and salted fish. I used to hate hot foods. But now, even though my heat tolerance is still low for Indonesian standard, I am addicted to the hot flavours.
It would not be a problem if the museums are Indonesia-centric. As the country is gifted with biological and cultural diversity, the museums’ collections would always be huge, assuming they are well-funded and well-managed.
I am also open to the ideas of making the museums more international either by making a section dedicated to foreign content or making the entire collection international.
But, my goals for each version differ from one another.
If the collection is entirely Indonesian, I would want to remind Indonesians about the biological and cultural richness of their country and how the richness should be appreciated and NOT taken for granted.
If the collection is international, I would want to remind everyone that despite our differences, we still have many things in common and our cuisines are not that different once we take a deeper look.
I choose foods because every human eats. We can survive without the ability to play music, to dance or to show any forms of craftsmanship. But, we can’t survive without foods. Eating is universal.
And because I personally love to eat.
I don’t know where I should locate the museums, though. If they are Indonesia-centric, should I locate them in Jakarta, university cities like Bandung or Jogjakarta, or places with low cultural appreciations like my hometown?
If they are international, I would definitely locate them in various countries. But, which countries I also don’t know.
And no, I am not going to think about “maintaining” the perishable collections.
Museums of Hollywood propaganda
I think the name explains it and I don’t have to elaborate on why it is needed in the first place and I am focusing on propaganda in American entertainment.
When it comes to locations, I would definitely establish one in Los Angeles, the headquarters of the industry. Of course, as it is the lions’ den, there will be lots of backlashes. Not to mention that studio executives might have connections in the government.
Very risky. But, worth the shot.
But, I am not satisfied about LA is its only location. The question is where else should we locate them?
Should we choose other major, big cities like NYC, Chicago and Houston? Should we choose the nation’s capital? Should we choose certain university towns where anti-establishment attitude are rampant? Or should we choose urban areas known for unquestioning and zealous patriotism?
If we want to branch out to other countries, which ones should we choose? Should they be America’s closest allies like Canada and the UK? Do the international locations even matter?
Museums of human rights violations
I am not talking about any human rights violations. I am talking about ones that are still controversial due to the persisting historical denialism and whitewashing.
I am talking about cases like Armenian genocide, the Jewish Holocaust, the expulsion of Palestinians from their own lands, the atrocities committed by Japan in WWII, the 1965 violent anti-Communist purge in Indonesia, history of racism in Australia and the Americas and the coups committed by the US against democratically-elected governments in Iran and Latin America which were replaced with dictatorships.
You know, topics of light conversations.
When it comes to locations, I have to make sure they are not in countries where such museums can get shut down by the authorities.
But, even if censorship is not a problem, I have to make sure at least one case from the host country is included in the exhibition. I want to give the impression to visitors that there is no such thing as angelic countries.
It is also the reason why I want the museum to be dedicated to many cases instead of just one. It is a lot harder than dedicating to a single case. But, it is worth it.
I also have to make sure it is located in localities which have lots of foreign tourists and residents. Those localities may include cities like NYC, Sydney, London and even world-famous university towns like Oxford, Cambridge, Stanford and Grenoble.
I don’t want the learning immersion being mostly exclusive to citizens of one country. Every person, regardless of their national backgrounds, must have the opportunity to experience it.
Yadda yadda yadda
It is obvious that my ideas are not only unoriginal, they are also fantastical. I will never create a small museum, let alone a few big ones.
But, I just can’t help churning my own ideas, even in fields where I don’t have any expertise in. Basically, every field in existence.
It is fun to write down my fantastical ideas.
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